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...wily and temperamental Rumanians, Ilie Nastase and Ion Tiriac, on their home grounds. In the face of rowdy fans and the worst officiating this side of Olympic boxing, only a superlative performance by Army Specialist Fourth Class Stan Smith, 25-who won both his singles matches and teamed with Erik van Dillen, 21, to take the doubles-enabled the U.S. team to eke out a 3-2 victory. Said a disgusted Captain Ralston: "We've been under the most incredible circumstances ever. This is the toughest place to play I've seen anywhere...

Author: /time Magazine | Title: Sport: Rumanian Rhubarb | 10/30/1972 | See Source »

...something few directors have achieved since the height of Satyajit Ray's artistry and the works of the better Italian neo-realists. Troell's people move with the same apparent integrity as any in Devt or Open City. All that occasionally mars our complete perception of their actions is Erik Nordgren's music, which bears intrusive lingerings from his Bergman films, and lacks the robust tone which Troell's subject requires: and American studio cutting in the travel sequences...

Author: By Michael Sragow, | Title: "Get Thee to a Land That I Will Show Thee" | 10/24/1972 | See Source »

Incorrectly the article attempts to portray Professor Guinier as an ignorant dictator. It is erroneously stated that Professor Guinier is the only full professor not holding a doctorate degree. My research found that several such professors exist--perhaps the most not able being Professor Erik Erikson. Professor Guinier's background speaks for itself, and he has no need of my supportive statements regarding his value. In terms of who runs the Department, however, I must say that the article makes no use of information already in print on the subject. The author fails to note that students have played...

Author: NO WRITER ATTRIBUTED | Title: AFRO DEFENDING AFRO | 10/13/1972 | See Source »

...began with Bortoluzzi's debut in Giselle, early in the A.B.T.'s current stand at Manhattan's Lincoln Center. He danced the role of Albrecht, which had become identified with the elegant and stylish Erik Bruhn before his retirement in January. During rehearsals, Bortoluzzi so shook up his colleagues with his arrogant bearing and exuberantly melodramatic interpretation that the ballet master threatened to walk out. At the first performance, Ballerina Carla Fracci, the Giselle and a longtime partner of Bruhn, kept whispering instructions to Bortoluzzi-where to put his feet, how to move his hands. Hissed Bortoluzzi...

Author: /time Magazine | Title: Music: Seizing the Moment | 8/14/1972 | See Source »

...quick study, Bortoluzzi has learned five widely differing roles in only a few weeks for the current A.B.T. season. In Erik Bruhn's staging of Bournonville's La Sylphide, he portrayed the unhappy lover of an elusive sylph (Natalia Makarova) with something like delicacy and restraint. In Anton Dolin's Variations for Four, he stole the show with the sheer, pantherish abandon of his movements. As the young seducer in Antony Tudor's Pillar of Fire, he was appropriately ardent. Last week, in Fokine's Le Spectre de la Rose, he was a little...

Author: /time Magazine | Title: Music: Seizing the Moment | 8/14/1972 | See Source »

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