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...half century, American colleges and universities have shared in a revolution, serving as both the emblem and the engine of the expansion of equality, citizenship, and opportunity—to blacks, women, Jews, immigrants, and others who would have been subjected to quotas or excluded altogether in an earlier era. My presence here today—and indeed that of many others on this platform—would have been unimaginable even a few short years ago. Those who charge that universities are unable to change should take note of this transformation, of how different we are from universities even...

Author: NO WRITER ATTRIBUTED | Title: Faust Inauguration Speech: 'Unleashing Our Most Ambitious Imaginings' | 10/12/2007 | See Source »

...live in the midst of scientific developments as dramatic as those of any era since the 17th century. Our obligation to the future demands that we take our place at the forefront of those transformations. We must organize ourselves in ways that enable us fully to engage in such exploration, as we have begun to do by creating the Broad Institute, by founding cross school departments, by launching a School of Engineering and Applied Sciences. We must overcome barriers both within and beyond Harvard that could slow or constrain such work, and we must provide the resources and the facilities?...

Author: NO WRITER ATTRIBUTED | Title: Faust Inauguration Speech: 'Unleashing Our Most Ambitious Imaginings' | 10/12/2007 | See Source »

...high-flying action genre of the 1960s, it was the finale of The Great Escape, in which the prisoner of war played by Steve McQueen defies the Nazis and jumps a barbed-wire fence on his motorcycle. The real hog jumper? Bud Ekins, the go-to stuntman of his era. Ekins' later credits included doubling for McQueen again in a famous car chase through San Francisco in the 1968 thriller Bullitt and overseeing stunts for the '70s TV show CHiPs. He was 77. His exploits as an Air Force pilot in the Pacific during World War II included 219 combat...

Author: /time Magazine | Title: Milestones Oct. 22, 2007 | 10/11/2007 | See Source »

What is going on? Even in an era of connectedness, when such outrages are beamed into living rooms around the globe, the world's major powers can't seem to agree on what should be done or who should do it. While many foreign critics of the U.S. express relief at the erosion of American influence, events in Burma and Darfur show the downside of the U.S.'s diminished standing: a void in global human-rights leadership...

Author: /time Magazine | Title: The Human-Rights Vacuum | 10/11/2007 | See Source »

...came of age in the last years of an era of great English portraiture, of Thomas Gainsborough, Joshua Reynolds and George Romney, when the British gentry were eager to be commemorated in the full regalia of the ruling classes. The elderly Reynolds was still president of the Royal Academy when the 14-year-old Turner was admitted to the Academy's school. But Turner would have been a disaster as a portraitist. He could draw as well as the best of them. In watercolor he could produce something like molecular detail, notwithstanding that one of his typical techniques...

Author: /time Magazine | Title: The Sunshine Boy | 10/11/2007 | See Source »

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