Word: enough
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Dates: during 1950-1959
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...week, but they only lasted three days. They bought their way out of their contract. It all seemed to have something to do with a case of Scotch in their dressing room. Gary, 26, oldest of the quartet, says he lost his voice, but regained it long enough, during the boys' final set, to call a ringside lady "a drunken bum." Cutting the act very short, the lads fled back to their dressing room, where they bloodied Gary's nose and otherwise clouted him for crabbing the routine. After the bout, Gary rested briefly, then plodded...
Cuban Sculptor Joseph Dubronyi, who has hewn enough nudes to people a colony, was about to sue the estate of "a good pal," the late Cinemactor Errol Flynn, for $5,000. The unpaid-for art object: a goldplated, 18-in. reclining figure of Flynn's last protégée, lithe Nymphet Beverly ("Woodsie") Aadland, 17, in the breathtaking altogether...
...logistical planning, Hagerty left nothing to chance. Correspondents got a series of detailed memos advising just what shots to get (cholera, typhus, yellow fever, smallpox, typhoid and tetanus), how much luggage was allowed (66 lbs. in one piece), what to pack (three or four bars of soap, enough clean underwear to last until New Delhi, black tie for state occasions en route). Hagerty, who took a dry-run tour of the route in November, even thoughtfully published information on the availability of American cigarettes along the way ($5 a carton in Karachi, none to be had in New Delhi...
...selecting the 2,240, a panel of five judges* relied mainly on a single gauge: "the decibel ring of the name." Noisy enough for mention: Christine Jorgensen (irresolutely described by the Register as both "he" and "she") and Zackerly (pitchman on a TV horror show). Left out as presumably not noisy enough: Robert Kintner, Allen Drury, Fabian. Notable inclusion: Cleveland Amory. Says Amory: "Frankly, I don't know whether it's more embarrassing to be in the book...
Undramatic though the play is, the final trouble lies less with subject matter than with form. Had Silent Night been not a full play but a longish one-acter, it might have had a special appeal. It could, just long and lyrically enough, have chronicled a meeting and sustained a mood-and with no tossed-in newlyweds, no shaky final scene. Unfortunately, as a one-acter it would not fit the Broadway scheme of things, though as a full-length play it scarcely fits it either...