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...wife, a mother, and publisher and editor of Seventeen, but Enid A. Haupt, 53, is also a green-thumb gardener. When she visited Manhattan's Institute of Physical Medicine and Rehabilitation, Enid Haupt marveled at its superb equipment and the dedicated ingenuity of its staff. But she bemoaned the fact that children may spend several months there completely cut off from nature. Why not, she asked Director Howard A. Rusk, give them a garden to work...

Author: /time Magazine | Title: Medicine: The Garden of Enid | 5/25/1959 | See Source »

Anita Bridgeman '60 is being supported by the Rugby Club, and the Glee Club has nominated Penelope Demos '60. The Harvard Young Democrats have submitted the name of Enid...

Author: NO WRITER ATTRIBUTED | Title: KKK Entries Depart For Training Center | 11/19/1958 | See Source »

Among the nominees have been Ellen Dean '60, put up by the Adams House Committee and Enid Bok '61, proposal of the Harvard Young Democrats. The Harvard Experimenters in International Living have chosen Joanna Burnstine '61 as their Kutie...

Author: NO WRITER ATTRIBUTED | Title: Flood of KKK Nominations Forces CRIME to Extend Friday Deadline | 11/13/1958 | See Source »

Playwright Enid Bagnold has built her comedy on subtle dialogue and bizarre characterizations. Since she seems to believe that the soul of wit is not brevity but irrelevancy, there are some moments--especially in the first act--when the sudden monologues about plants and fertilizers make the play formless and uninteresting. But once the characterizations are well established, the playwright manages to maintain a tight, logical consistency between the fanciful lines and the equally volatile people who utter them...

Author: By Stephen R. Barnett, | Title: The Chalk Garden | 7/26/1956 | See Source »

Most works with any real distinction possessed foreign blood. The season's most creative new play was British Writer Enid Bagnold's witty, elegantly savage The Chalk Garden. Even more finely tempered was Tiger at the Gates, Jean Giraudoux's humanely ironic lament for the Trojan and all subsequent wars. Audiences might argue whether Samuel Beckett's puzzling, plotless Waiting for Godot was profound art or a mere philosophic quiz show; less arguable was the neatness of its writing, the desolation of its mood. In Lillian Hellman's sharp adaptation, Jean Anouilh...

Author: /time Magazine | Title: The Theater: Bumper Crop | 6/4/1956 | See Source »

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