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...illuminated white line bisects the endless black of the Boston University Theatre’s Stewart F. Lane and Bonnie Comley Studio 210. Simple and stark, this white line is the lone scenic element in the Boston Center for American Performance’s minimalist production of Paula Vogel’s “How I Learned to Drive”—yet, any further set would have been needless in this superbly acted, provocative memory play, which runs through...

Author: By Ali R. Leskowitz, CRIMSON STAFF WRITER | Title: B.U.'s 'How I Learned' Driven by Powerful Acting | 2/17/2010 | See Source »

Asked how his son came by his unusual name, Pa Ebele Jonathan once told a reporter that as soon as the boy was born, "I instinctively realized that this child has that element of fortune." Pa Jonathan, a canoe-maker from southern Nigeria, could not shake the thought. "I just said to myself, 'this boy is lucky,'" he said. "So I decided to call him Goodluck." The father's instinct proved true. But his son's good fortune would often come after the misfortune of others. In 1999, Goodluck Ebele Jonathan was elected deputy governor of Bayelsa province...

Author: /time Magazine | Title: Is Goodluck Jonathan the Answer to Nigeria's Woes? | 2/13/2010 | See Source »

...dark wood paneling renders everything strangely somber. But the company manages to employ the staid dignity of the room to reinforce the moral severity of the town elders. At one point, they even co-opt one of the chandeliers—by far the most physically obtrusive element of the space—as a prop...

Author: By Spencer B.L. Lenfield, CONTRIBUTING WRITER | Title: 'Albert Herring' Nails Humor | 2/9/2010 | See Source »

...movie is a mix of action, comedy, policier, and of course, romance. Many movies try to cross genre boundaries to reach a larger audience, and Morel is no exception. But his approach is confused, and given the seriousness of one thematic element it tries to weave in—that of terrorism and suicide bombings—that confusion proves detrimental to the film as a whole...

Author: By Rebecca A. Schuetz, CRIMSON STAFF WRITER | Title: From Paris With Love | 2/9/2010 | See Source »

...went to the various departments and centers to find people from different backgrounds,” Burch said. “I presented them so that they’re all on the same level and without any gilt frame, so you just see the faces, in their own element...

Author: By Gautam S. Kumar and Julia L Ryan, CRIMSON STAFF WRITERS | Title: CGIS Debuts Portrait Exhibit | 2/5/2010 | See Source »

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