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As such, “Black Light” often feels decidedly uncomfortable, like an unnerving intrusion upon a more youthful indie-electronic music scene. Perhaps the album’s greatest downfall is that it fails to target any coherent fan base, lacking the upbeat bounce that has inspired...

Author: By Colm Dubhrosa, CONTRIBUTING WRITER | Title: Groove Armada | 3/2/2010 | See Source »

“Black Light” blends 1980s-inspired power chords, driving rhythms and synth waves worthy of French electronic composer Jean-Michel Jarre. Coupled with more traditional synth-pop flourishes, these elements create an uplifting, resounding musical landscape. However, it would seem that in their attempts to detach...

Author: By Colm Dubhrosa, CONTRIBUTING WRITER | Title: Groove Armada | 3/2/2010 | See Source »

The rest of the album’s first half is driven more by electronic beats, heavy rhythms, and layered vocal harmonies, however, giving Side A its catchy and occasionally danceable sound. On “Good Morning (The Future),” Rogue states, “The future...

Author: By Thomas J. Snyder, CONTRIBUTING WRITER | Title: Rogue Wave | 3/2/2010 | See Source »

The most disappointing aspect of the album, though, is its lack of intimacy. The electronic beats and layered guitars become wearying, particularly in the album’s second half. This is true even on the slower songs, like the throwaway closer “All that Remainsâ€?...

Author: By Thomas J. Snyder, CONTRIBUTING WRITER | Title: Rogue Wave | 3/2/2010 | See Source »

In addition to two computers, a Kaoss Pad MIDI controller, two sets of headphones, and an assortment of other electronic odds and ends, VanMiddlesworth has built himself a portable controller. He says that the small, black box, which features nothing more than four joysticks, two pads and a touchscreen, will...

Author: By Alexander E. Traub, CRIMSON STAFF WRITER | Title: The Dutiful DJ | 3/2/2010 | See Source »

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