Word: electronica
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...RecordingsThe second full-length from British electronica act Lemon Jelly starts off with the withered voice of an old man played over chirping birds and some low strings. “Ah, let me see,” he begins. “That was in ninety-, eh, um, nineteen, no I beg your pardon, ninety...” fades out and it hits, the album’s first real song...
...follows up on Lemon Jelly’s singles collection lemonjelly.ky, and their first album, Lost Horizons, both of which share this album’s aesthetic of pleasant (if boring) psychedelic electronica, borrowing from a diverse array of samples, and ironically recreating these into new combinations and sounds...
...most recent project, Subtle, which features groundbreaking production from Jeffrey “Jel” Logan (Drucker’s high school pal and frequent collaborator) and live instrumentation courtesy of the remaining four members of the group, all old friends, tears down the fences between rock, electronica, rap, and any number of other conventional musical constructs, while avoiding the fusion miasma that swallows so many other genre-bending artists...
...sound forged from a glaze of tragedy and a dusting of sadism. Before The Dawn Heals Us, the band’s follow-up to the 2003 underground hit Dead Cities, Red Seas & Lost Ghosts, should send a shudder of excitement through an ever-growing audience hungry for electronica with a heart. Once a two-man collaboration, M83 has been trimmed down to just Anthony Gonzalez, a burgeoning artist with an ear for the perfect emotive beat and an eye for innovation...
...debut. The band’s two members, Erland Øye and Erik Glambek Bøe, have yet to stray formula that the first album’s name denoted, as opposed to the solo work of Øye, which ventures into laptop production and indie electronica. The balance of band members will surely be on show in concert: while Øye spends time touring his solo albums and DJing around the world, Bøe has been in Norway finishing a psychology degree, and the vocal interplay between the two is often the best part...