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...Sergei Eisenstein...

Author: By Deborah E. Kopald, | Title: Russian Pomp and Circumstances | 10/21/1993 | See Source »

...behold: they no longer dart from side to side, but stare resolutely straight on, offering us evil personified. To quell the boyar conspiracy, Ivan creates his secret police force, the "Oprichnina." The parallels between this medieval Russian epoque and the Stalinist Terror are obvious. It's not clear whether Eisenstein intended it to be this way or whether we are looking back with twentieth century hindsight at the parallels...

Author: By Deborah E. Kopald, | Title: Russian Pomp and Circumstances | 10/21/1993 | See Source »

...case, Eisenstein creates the image of absolute tyranny well. The film ends on a triumphant, melodramatic note; Ivan has consolidated his rule, weathered the storms of opposition and has shaped the course of Russia's historical destiny...

Author: By Deborah E. Kopald, | Title: Russian Pomp and Circumstances | 10/21/1993 | See Source »

...judging their actual political effect, if any. What really won a place in the Bolshevik propaganda effort was photography and the new art of photocollage, brilliantly deployed -- in combination with sharp, eye-rattling typographic forms -- in book jackets, handbills and movie posters. Anton Lavinsky's 1926 poster for Eisenstein's Battleship Potemkin, which grabs the eye with the staring authority of those two black cannon muzzles framing the whispering, mutinous sailor, is a classic of the genre...

Author: /time Magazine | Title: Art: Russia's Great Flowering | 11/2/1992 | See Source »

...addition to the experimental pieces, the show includes portaits of Bravo's interesting acquaintances: Frida Kahlo, Sergei Eisenstein and Andre Breton. Revelaciones provides a valuable opportunity to see some of Bravo's finest work. His inspired vision offers American audiences a landscape that is new and exceedingly real...

Author: By David S. Kurnick, | Title: Photographs Capture Mexico | 10/15/1992 | See Source »

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