Word: eisenstaedt
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...20th century image bank consists in good part--some of the best part, you might say--of what was put there by Alfred Eisenstaedt. When he died last week at 96, he left behind one of the great lyric troves of modern photography. An incomparable photojournalist, "Eisie'' helped to make LIFE an indispensable scrapbook of the national memory. And even before that, in the 1920s, when many people still believed cameras could only take dictation, he had figured out their potential for poetry...
...Alfred Eisenstaedt's exuberant V-J Day in Times Square. Dorothea Lange's moving Dust Bowl-era Migrant Mother. Neil Armstrong's historic Man's First Moon Walk. These are among the ten photos TIME has chosen as the most important news pictures in 150 years of photojournalism, and you can see them in a special collector's edition that appeared last week at newsstands around the country and in subscribers' mailboxes. From tens of thousands of images, special-projects editor Donald Morrison and his staff culled 91 in all, and finally chose ten that best define...
From top, left to right: (c) 1963 Bob Jackson, Sam Shere -- UPI/Bettmann, Bob Landry -- LIFE, NEIL ARMSTRONG -- NASA, JOE ROSENTHAL -- AP, ALFRED EISENSTAEDT -- LIFE, ED CLARK -- LIFE, DAVID BURNETT -- CONTACT PRESS IMAGES, J.R. EYERMAN -- LIFE, DOROTHEA LANGE -- THE OAKLAND MUSEUM, THE CITY OF OAKLAND, JOSEPH LOUW -- LIFE
Lacayo has moonlighted as the photography critic since 1986, when he helped persuade TIME's editors that the magazine should devote more coverage to the art. His wide choice of subject matter has included the off-center visions of Garry Winogrand and the embracing eye of LIFE's Alfred Eisenstaedt. Yet Lacayo prefers to make his own impressions with words rather than film. "I don't take photographs," he notes. "I take snapshots." After all, when he wants to look at enduring images, all he needs to do is reach for that beat-up old Cartier-Bresson volume that...
...retrospect, Eisenstaedt's exile to America starts to look like a stroke of luck. Amid the prevailing cheer of the postwar nation, his upbeat view of things probably found a more ready audience than it would have in the more somber precincts of Europe. His chief mood is celebration. His chief attitude is assent. Is that the stuff of sweetness and light? Sometimes it is. But who can say no to such engaging sweetness, such abiding light...