Word: edition
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Dates: during 1990-1999
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...connoisseurs back $800 to $8,500, while photocopies of Bennett's efforts recently fetched $1,000 at a charity auction. "Look, I just paint," says the man who works under the nom de paintbrush Anthony Benedetto. "I don't try to create masterpieces. I paint, and then I edit." You be the judge. (Hint: Bennett's piece is not the photo of the Tibetan monks...
...give students a little extra push to give one last edit when they're writing their final draft," Harvey said...
Maybe if Riggs had been around to refine, edit and focus his work, it could have been an extremely powerful and attitude-changing film. If nothing else, the film is a testament to the tragedy of his death...
...this line would be John James Audubon and Thomas Eakins. But Copley was the first. He took the linear, enumerative style of early American effigy painting and made it peculiarly grand--not through rhetoric, as in the "grand manner," but through the candor of its curiosity. He did not edit out the warts and wens, the pinched New England lips, the sallow skin and (as several portraits show) the pockmarks that were the common disfigurement of an age before vaccination. Eighteenth century America did not have today's obsession with the cosmetic...
...whose staff he served at the Paris peace talks. Says U.S. Ambassador to India Frank Wisner, who worked with Holbrooke in Vietnam: "Dick has a passion for prominent people and an uncanny knack for figuring out their agendas." To get broader experience, Holbrooke left the Foreign Service to edit Foreign Policy magazine before rejoining the State Department as Assistant Secretary of State for East Asian and Pacific Affairs in the Carter Administration. Moving to New York City after Ronald Reagan's 1980 election, he embellished his Establishment credentials by joining Lehman Brothers, dating TV journalist Diane Sawyer, collaborating with Clark...