Word: edgars
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...Reed is the last of the New York City avant-rockers still soldiering on. He too has been mislabeled--icy and pretentious--although he's begging for it with his latest project. The Raven, as Reed tells it, is a two-CD "movie for the mind" inspired by Edgar Allan Poe. (Reed's girlfriend Laurie Anderson did a Moby Dick performance piece in 1999; maybe they're working their way through a 10th-grade syllabus?) Half the album is narration--from The Raven, Annabel Lee, etc.--performed by Willem Dafoe, Steve Buscemi and Amanda Plummer in their best Scooby...
...basis for the claim that Florida’s Talented 20 Program solved the affirmative action issue. In fact, this report indicates the percent plan was virtually irrelevant,” Orfield wrote in the foreword of the report, which was authored by research associates Patricia Marin and Edgar...
...Brahm, a New York native, arrived in Beijing in 1981 as a student, clutching a well-worn copy of Mao's Little Red Book and seeking the revolutionary fervor he first encountered in Edgar R. Snow's Red Star Over China. He was too late, of course: Deng Xiaoping had already started his radical transformation of the country. Undaunted, Brahm folded his romantic visions of a communist utopia between the pages of his Little Red Book, left it on the shelf and plunged headlong into a rapidly modernizing China. He apprenticed himself to a British law firm and from there...
...guest rooms are decorated along different themes. The Edgar Snow Room features an old typewriter with a facsimile of a page from Red Star Over China still on the roller. The two sumptuously decorated Concubine Suites, complete with silk-draped, Ming-era opium beds, are designed for guests who, says Brahm, "always wanted to be a concubine?or have one." The Chairman's Chrysanthemum Suite is modeled on Mao's library and bedroom, where he received most of his visitors. The bookshelf above the antique bed is stacked with the Great Helmsman's favorites...
...service of an obsolescent one (who goes to the theater?), his work never grew senescent. His hand was as firm and supple as ever, the late drawings an ever-more assured symphony of fine lines. "Draw lines, young man, many lines," the old painter Ingres had advised Edgar Degas in the 1850s. That's what Al did: kept filling the page with many lines, many people, lots of furniture, until the image was as cramped as the cabin in "A Night at the Opera...