Word: durst
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Whoever plays Robert Durst in the TV movie had better have range, because Durst has displayed a bounty of personas over the years: Manhattan playboy, heir to a real estate fortune, jealous husband, fugitive and, in the opinion of some, devious killer. Durst, 60, was acquitted last week of murdering his elderly neighbor, Morris Black, in Galveston, Texas. The verdict was a shock because Durst has a history of finding himself close to people who die or disappear and because he himself described grisly details surrounding Black's demise. In court he admitted dismembering the body but said he recalled...
...plenty of visible symptoms. Like her tear earlier this year through virtually half the nightclubs in New York City (where she couldn't even light up a cigarette without tabloids making a huge fuss). Those rumors of a fling with the balding 32-year-old Limp Bizkit singer Fred Durst were pretty shocking too. (Durst went on Howard Stern and gallantly described Spears' pubic region to millions of listeners.) Add to all that the legitimate anxiety over her musical staying power (will anyone still buy Britney records now that she's outgrown the plaid skirts and kneesocks?). And throw...
Limp Bizkit are back—or rather, the Fred Durst machine is back. Their fourth, boldly titled album bears the marks of Durst’s unquenchable enthusiasm. He produced seven of the tracks on his own, directed the video for “Eat You Alive,” and designed and conceptualized the album’s art (Durst’s screaming face, in green). Somehow, he also found time to hook up with Carmen Elektra and Britney Spears (though not at the same time...
...Durst has done a fine job doling out just enough anger for his audience of thirteen- and fourteen-year-old boys with skateboards. “Gimme The Mic” sounds like “Break Stuff,” which for this album represents a highlight. But the ballads “Build A Bridge” and “Down Another Day” are limp at best—at worst, they’re pale imitations of Staind...
...Moreno's lyrics--championed by fans over those of Fred ("Agreeance") Durst and Korn's Jonathan Davis--well, sure, he's the T.S. Eliot of rock's special school. But if you're not grading on a curve, it's hard to see what the fuss is about. Moreno's wordplay is certainly cryptic enough--"Yeah if you'd like that we can ride on a blackhorse/A great new wave Hesperian deathhorse," he screams on the thrashfest When Girls Telephone Boys--but the songs still seem to be about psychic injuries and the people who caused them. It's territory...