Word: dual
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...onlys abound, but they won’t do much to bring the Goldthwait Cup back to Cambridge for the fourth consecutive year.The Harvard varsity lightweights’ surge in the final 500 meters proved too little, too late in a failed attempt to claim the Goldthwait Cup in dual competition with Princeton and Yale on Saturday. An open-water win from the Harvard second varsity and the second freshman eight’s win gave the Crimson its only victories of the day, as Yale snatched the Goldthwait Cup from its recent home in Newell Boathouse.The Crimson first varsity...
...almost like white-water rafting. But we kept a good rhythm, which is hard to do in those kinds of conditions.” Harvard’s varsity eight earned an open-water victory in terrible conditions for the second consecutive week, rounding out the dual season with a pair of dominant performances. “I don’t think anybody expected it to get so bad in the last 1000, but we knew it was not going to be good water. But it was great rowing,” varsity coxswain Jess Hoy said...
...dance may be the universal language, but speech and images are the universal communicants. “Dancers’ Viewpointe VI,” a two-act recital that spanned styles from classical ballet to jazzy modern, interspersed informative film-clips and spoken introductions to serve the dual purpose of educating viewers on the show’s content and cleverly distracting them from pauses between numbers. The vision of Artistic Director Elizabeth Bergman, the performance ran April 21 to 23. The recital was divided into two acts, with the first act consisting of student choreographed works (by past...
...really deep, so doubles was crucial.” In singles play, Wan (6-1, 6-1) and Ermakov (6-4, 7-6) picked up wins for Harvard, but Bulldogs victories at No. 5 and No. 3 brought the score to 3-2. Freshman Chris Clayton secured the dual match for the Crimson, knocking off Yale’s Milosz Gudzowski, 6-1, 5-7, 6-3, and Bulldog Brandon Wai came from behind to defeat Kumar at No. 1 for Yale’s final tally. “This is some of the best...
...gangs. Livingston makes and interesting move, cutting out sections of well known songs like “America.” The best scene of the musical is that featuring the song “Gee Officer Krupke.” Incorporating over-the-top theatrics, it serves a dual role as comic relief in an otherwise serious play and as an opportunity for the cast to truly engage their roles as social outcasts. This number alone entirely compensates for the cast’s lack of energy in preceding scenes. The orchestra is the highlight of the musical, delivering...