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...unexpected vistas that had suddenly opened up before them." Beyond that, the Cohn-Bendits blame the established left: the Communist Party, which they scornfully dismiss as "a mere appendage of the Soviet bureaucracy," and the left-wing Confédération Générale du Travail. Both, they charge, failed to exploit existing power vacuums. "The party of order and political wisdom," as Communist Boss Waldeck Rochet described his organization, opted for a Popular Front government. By so doing...
During the 1920s, when many welfare agencies refused to care for Negroes, Harlem's struggling middle classes looked after their own sick, poor and aged. They also sponsored a "Black Renaissance," led by W.E.B. Du Bois and his magazine, Crisis...
Surrounding Ondine, like an eccentric's collection of stray cats, are people with some interesting names: Rotten Rita, the Sugar Plum Fairy, the Duchess, Billy Name, Irving du Ball, Paul Paul, Taxine, Moxanne and Ingrid Superstar. What they are actually doing, as opposed to what they are saying, is difficult to fathom from the transcript of the tape. The jacket blurb again is helpful: "The Duchess, who has stolen 3,000 pills and a blood-pressure machine, is in the hospital; Ondine dresses in drag for an evening at the 'teenage whore house'; Taxine confesses to Ondine...
...ENFANCE DU CHRIST (CBS, 10-11 a.m.). Hector Berlioz's oratorio, performed by Giorgio Tozzi, Charles Anthony, Helen Vanni, Sherrill Milnes and Asa Berberian, assisted by the John Butler Dance Theater and the Camerata Singers. Repeat...
...other composers simply pay obligatory homage to the noisemakers with passages of stark, inhumane cacophony for the brass, or limpid, precious colorings for the woodwind. With such works as Soldat, Octet, Dumbarton Oaks, and Symphonies of Wind Instruments, Stravinsky is definitely a member of the former group. L'Histoire du Soldat (1918), a suite of elegant miniatures for seven players, was given a generally excellent reading under the direction of student conductor David Archibald. Mr. Archibald, although somewhat inhibited technically, maintained metrical control and instrumental balance. In his propriety of gesture he was refreshingly free from both the hysterical...