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This effect, often attributed to performances of Brahms by Rudolf Serkin, was not accompanied by Serkin's occasional dryness. Ax smoothed over transitions between sections rather than making them stark, resulting in a resolute and self-assured delivery. That purposefulness continued in the second section of the first movement, in which Previn added some time for emphasis in the orchestra's tuttis...

Author: By Daniel Altman, | Title: Previn and Ax Merge Insight, Resolve | 8/15/1995 | See Source »

Wilson's new patient, "Mrs. P.G.," as he later called her, said she was 52 years old, but her body told another story. "Her breasts were supple and firm, her carriage erect; she had good general muscle tone, no dryness of the mucous membranes and no visible genital atrophy. Above all," Wilson noted, "her skin was smooth and pliant as a girl's." When asked about menopause, she laughed and replied, "I assure you, Dr. Wilson, I have never yet missed a period. I'm so regular, astronomers could use me for timing the moon...

Author: /time Magazine | Title: THE ESTROGEN DILEMMA | 6/26/1995 | See Source »

Menopausal miseries. The oldest and most familiar use of HRT is to relieve the hot flashes, night sweats, vaginal dryness and other symptoms of estrogen "withdrawal" that occur around menopause, when the ovaries produce less and less estrogen...

Author: /time Magazine | Title: THE ESTROGEN DILEMMA | 6/26/1995 | See Source »

...carefree quality of the movement in its recapitulation. He fortunately saved some of the stridence for the bold, personal statements of the second movement's Largo ma non troppo. In the cantabile section of the movement, violist Hsin'Yun Hwang offered solo playing of utmost sincerity with none of dryness that pervades chamber music today...

Author: By Daniel Altman, | Title: Dynamic Barromeo is Museum Treasure | 3/16/1995 | See Source »

...texture is quite thick, the balance was not effective, the notes of the accompanying voices excessively labored and the melody not sufficiently passionate. Here also the contrasting characters displayed by the different instruments detrimentally affected the Quartet's performance; while in most places these variations added interest, the dryness of the violist's sound in the Brahms grated on the ear. The second movement, "Romanze: Poco Adagio," sounded labored and muddy and the third movement was unmemorable. Only the fourth movement, again "Allegro," displayed the requisite character of intensity and dramatic excitement, rising momentously to its climax...

Author: By Bernie A. Meyler, | Title: Quartet Pulls Out All Stops | 3/24/1994 | See Source »

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