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From the darkness of the balcony, about 50 well-dressed men and women watched as the curtain rose at Minsky's burlesque in Newark, N.J. The patrons in the orchestra seats cheered, and the drummer began his slow off-beat as the first of the girls, Peggy O'Grady, casually undressed. Then came Marie Voe and Nony ("A Bit of TNT from Paree"). Queen of them all was a blonde relentlessly billed as "Miss Crystal Star," who took almost ten minutes to give her G-string...

Author: /time Magazine | Title: Education: Field Trip | 12/6/1954 | See Source »

...Moon Looks Down. As Carrington well knows, the art is not easy. Drum talk is not a code like Morse. It is actually an attempt to reproduce language. Every syllable has its own tone, which the drummer must be able to catch by striking the hollow log at exactly the right spot. In some Bantu dialects, a single tone pattern may have different meanings, as in the pattern for moon and jowl. Thus, a drummer must know enough to add a qualifying phrase: moon becomes "the moon looks down on the earth" and fowl turns into "the fowl, the little...

Author: /time Magazine | Title: Education: Boomlay | 11/22/1954 | See Source »

...native pupils are always coming up to Carrington with messages from the other side. One reported: 'My father is on the other side with food.' How did he know? 'The drum said so.' Just to make sure, Shenker asked Carrington to station two drummers 200 yards apart and put them to a severe test: "The sentence I dictated to Carrington was: 'The Giants beat the Indians in the World Series.' Carrington was unsure about 'Indians,' so we agreed to change it to 'Redskins.' 'World Series' seemed...

Author: /time Magazine | Title: Education: Boomlay | 11/22/1954 | See Source »

Then, if Dave feels the crowd with him and if his psyche is in good order, a unique event takes place. The rhythm seems to take hold of everybody in the room. Drummer Dodge feels it and starts to bang on his Chinese cymbal (an instrument studded with loose rivets that buzz like a dozen sizzling steaks), and his bass drum whaps out compulsively, unpredictably. Bates hunches closer to his bass. Desmond, his lips without their mouthpiece looking like a nearsighted man's eyes without his spectacles, moves quietly away from the piano. Brubeck seems to cut his ties...

Author: /time Magazine | Title: Music: The Man on Cloud No. 7 | 11/8/1954 | See Source »

...California in 1951, Brubeck's newly formed quartet found itself in an area bursting into musical blossom. About that time, Progressive Bandleader Stan Kenton passed through Los Angeles, and some of his crew, e.g., Trumpeter Shorty Rogers, Arranger Pete Rugolo, Drummer Shelly Manne, French Hornist John Graas, settled there and became famous. A hollow-eyed trumpeter named Chet Baker and an underweight baritone saxophonist named Gerry Mulligan made themselves fast killings among the cats. By 1952, the West Coast was the U.S.'s newest, biggest stomping ground for jazz. Brubeck felt right at home, shuttled between such clubs...

Author: /time Magazine | Title: Music: The Man on Cloud No. 7 | 11/8/1954 | See Source »

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