Word: draftsman
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Dates: during 1970-1979
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Such etchings sold, and thus encouraged, Hopper began to paint oils again and experiment with watercolors. He was also drawing from the nude at the Whitney Studio Club in Manhattan. The works of this period show he was a good draftsman who could depict a naked woman with an earthy sensuousness that Renoir might have approved. In the early '20s on a trip back to the New York School of Art, he became interested in Art Student Josephine Verstille Nivison, a small, vivid, thirtyish woman whose volubility and quick wit were the exact opposite of Hopper's quiet...
...painter, he held, "prefers to beautify." But the draftsman, who works with the more wiry stuff of line, "practices a form of criticism with his scratching." The man with the pen "looks perpetually at the unfilled holes, the yearned for and the barely attainable; his is a personal coming to terms with a world of irreconcilable powers. The painter bodies forth optimism ... the draftsman cannot escape his more negative vision, beyond appearances." So Klinger the painter moved sedately between a professorship in Leipzig and his country vineyard, turning out the portraits and allegories his patrons sought, and ignoring the obsessions...
...discovery of classical antiquity. He felt that his destiny was to introduce these new ideas to the North. He had informed himself from scraps, mainly engravings after Mantegna and his imitators that he had seen and copied in Wolgemut's Nuremberg studio. Dürer was already a virtuoso draftsman; but there was nobody alive in Germany against whom he could test himself...
...took her to a women's suffrage convention. She still remembers being moved by a Susan B. Anthony speech. "All through my girlhood," she recalls, "I ushered at suffrage meetings and distributed leaflets." She graduated from M.I.T. with a B.S. in architecture in 1909. She worked as a draftsman until World War I, when she became a full-time feminist. She carried the movement to rural Massachusetts, making "222 speeches in 14 weeks...
...hipster from the Bronx-a mean blade, good with a saxophone or a motorcycle, the flamboyant, randy and infinitely dexterous picaro of Tenth Street. But by the end of the '60s, his virtues had to an extent rebounded on his reputation. His astounding skill as a traditional, realistic draftsman looked vaguely suspect to some critics. The ironical love with which he raided the beaux-arts tradition for such images as Napoleon, a reworking of David's 1812 portrait of the hero, struck them as literary but in the wrong way: not philosophical enough, unconcerned (unlike Johns and Rauschenberg...