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...Later she sang Ponchielli's La Gioconda, Bellini's Norma, Leonora in Verdi's Il Trovatore. Though Cigna has a frail lower voice and occasionally forces notes, she sang these ornate roles with brilliance and spirit. Johnson wanted to extend her term so she could be Donna Anna in a revival of Mozart's Don Giovanni. La Scala, where she was scheduled to sing this month, would not release...

Author: /time Magazine | Title: Music: Flagstad's Week | 3/15/1937 | See Source »

...Podestá Guido Pesenti sat Respighi's plump, 43-year-old widow. Donna Elsa could scarcely see the stage for tears. When the performance ended, the audience roared its thanks to her, knowing that she had finished her husband's last work when he had to lay it down...

Author: /time Magazine | Title: Music: Widow's Night | 3/8/1937 | See Source »

...Donna Elsa stopped writing, content to help order Respighi's career. She stood proudly by when, in 1932, he put on his academic robe and became a member of Italy's Royal Academy (see cut). On their four U. S. tours she sang little beside his songs. In "The Pines," their villa high on the outskirts of Rome, she was first to sing his new compositions. Now she will write again to raise money for a music foundation in Respighi's memory...

Author: /time Magazine | Title: Music: Widow's Night | 3/8/1937 | See Source »

Three works by modern Italian composers are also to be played: a "Prelude Glocosco" by Castagnone, Respighi's Toccata for Piano and Orchestra in which Mr. Mitropoulos will be the soloist, and the Second Suite from Alfredo Casella's opera, "La Donna Serpente...

Author: NO WRITER ATTRIBUTED | Title: The Music Box | 1/13/1937 | See Source »

Those who remember Soprano Talley fas a cornfed prima donna will scarcely recognize her in Follow Your Heart. On her Kansas wheat farm, whither she retired in a huff in 1929, she has trained down from 146 to 105 lb., is now slender, sharp-featured, vivacious. Definitely wooden as an actress, she displays a Mid-western twang when speaking, is at ease only when singing arias from Mignon and Les Huguenots, beside which the popular concoctions written for the film are apt to seem unusually hollow...

Author: /time Magazine | Title: Cinema: The New Pictures: Sep. 14, 1936 | 9/14/1936 | See Source »

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