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...that reigned during the mid-'60s. In America there is Michael Jackson, with no clear movement behind him, just an unprecedented momentum that has sent him off on a dazzling solo flight. Stevie Wonder is still flourishing, and Lionel Richie is the most elegant songwriter in the neighborhood. Donna Summer can be spectacular; Prince is incandescent; Rick James cataclysmic; rap groups are the rough conscience of the streets. But commercially and aesthetically, they all revolve in separate orbits that only occasionally intersect. Jackson is a world apart, a phenomenon that exists in much the same way that the star himself...

Author: /time Magazine | Title: Why He's a Thriller | 3/19/1984 | See Source »

Observers say the campaign in Florida has been largely devoid of issues, with Glenn and Mondale badgering Hart, and Hart sticking to his "new ideas" theme. Says Donna Blanton-of the Orlando Sentinel, "the average Democrat here doesn't know anything about where they stand. Hart's rise has a lot to do with his image as a young, new, fresh face...

Author: NO WRITER ATTRIBUTED | Title: A Look at the South | 3/12/1984 | See Source »

WARREN'S WEAKNESS, HOWEVER, does not hamper the rest of the performers, who, with their loud resounding voices and melodramatic characterizations convey Don Giovanni's licentiousness. Their hatred, and not Giovanni himself, provides the momentum for the three-hour production. As Donna Anna, whose father Giovanni killed after failing to seduce the daughter, Anita Ashur conveys brilliantly her character's maniacal desire for revenge through her vibrantly loud voice. Ashur's clearly enunciated voice has a spectacular range, and even during songs with the ensemble, her voice stands...

Author: By Rebecca J. Joseph, | Title: Opera Gigolo | 3/9/1984 | See Source »

...other female singers give superb performances. As Donna Elvira--one of Giovanni's past conquests--Margery Hellmold '83 captures woman's confused love-hate feelings toward Giovanni with her emotional outbursts through her buoyant arias and desperate recitative interplay with the seducer himself. Junior Jeanine Bowman's Zerlina complements the other two women with her performance as an innocent country maiden, who almost falls into Giovanni's web Less emotional and more straightforward than Anna or Elvira. bowman's Zerlina is delightful with her quieter yet charming voice that reveals her character's naivete and dedication to her country bumpkin...

Author: By Rebecca J. Joseph, | Title: Opera Gigolo | 3/9/1984 | See Source »

...passengers representing Europe's elite. This array of artists and nobles have gathered for the scattering of the ashes of a renowned opera star named Edmea Tetua whom they all knew at some point in their lives. The only person present who had no connection with the prima donna is the comical journalist, Orlando (Freddie Jones). Supposedly broadcasting the voyage for a newsreel, Orlando serves as the film's narrator...

Author: By William S. Benjamin, | Title: Picture Stills | 2/17/1984 | See Source »

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