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...What he doesn't get to do much is play the leading man, or get the girl. If the girl wants him, as in Ghost World, where he was chased by Thora Birch and Scarlett Johansson, it usually plays as a joke. So when Saint John of Las Vegas, in which he gets the lead, opens with Buscemi hitting on a convenience-store clerk, we assume his character, John Alighieri, doesn't stand a chance. He's disheveled and his face is heavily bruised. But she gives John a considering look. He's buying $1,000 worth of lottery tickets...

Author: /time Magazine | Title: Saint John of Las Vegas: Steve Buscemi in the Inferno | 1/30/2010 | See Source »

...course. Using Dante's Inferno as your inspiration is an immodest act for someone making his feature film debut, but Rhodes does it so modestly that you'd hardly notice the connection. If the movie has a theme, it seems to be about making your own luck, which John doesn't believe in, initially. A bit involving an inexplicably flaming gate and a nudist colony led by Tim Blake Nelson should have been the tip off to an Inferno connection, but it feels trivial, just another slightly off encounter that's not odd enough to really register...

Author: /time Magazine | Title: Saint John of Las Vegas: Steve Buscemi in the Inferno | 1/30/2010 | See Source »

Those copyrights pass to his estate, say lawyers, and Salinger may have left detailed directions about how to proceed. If his extraordinarily private style held true in his will-making, would-be adapters of the Salinger oeuvre are out of luck. "If he says that he doesn't want a revised work, or a secondary work or a derivative work, or he doesn't want anything related to Catcher in the Rye licensed, then whoever is managing his estate would be bound by that, " says Jon Tandler, a publishing lawyer in Denver. "He can say, 'Thou shall not create...

Author: /time Magazine | Title: J.D. Salinger: "Keep Your Hands Off My Legacy" | 1/30/2010 | See Source »

...break from the big exhibition she's preparing and goes to Rome for her sister's wedding. There she meets the groom's best friend Nick (Josh Duhamel). In rom-com terms there's something wrong with him - in that there's "nothing" wrong with him. He doesn't hate her from the start; he's not mismatched with Beth in class or temperament. In fact, he's an even more fabulous specimen than she is: tall, handsome, genial, with sensational teeth and a good job as an ESPN reporter. And he instantly loves her. It is the movie...

Author: /time Magazine | Title: When in Rome: When Not Quite Awful May Have to Do | 1/30/2010 | See Source »

What exactly have we been fetishizing? Basically, market activity and growth. The GDP, generally expressed as a per-capita figure and often adjusted to reflect purchasing power, represents the market value of good and services produced within a nation's boundaries. Sounds reasonable. Until we consider what it doesn't measure: the general progress in health and education, the condition of public infrastructure, fuel efficiency, community and leisure...

Author: /time Magazine | Title: Is GDP An Obsolete Measure of Progress? | 1/30/2010 | See Source »

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