Word: documentation
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Dates: during 1940-1949
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...Lucky." The world could be sure that the Russians would squeeze Barsov for every last drop of propaganda-value. But Barsov had some explaining to do himself. In his shabby room in Washington a TIME correspondent found another document, like the diary in his own handwriting. It rang with Marxian clichés ("Now I am in the hands of those 'whistling dancers'-men who obtained control . . . through a cruel exploiting of the working class") and the sickening self-accusations of the Moscow purge trials. Wrote Barsov: "I am giving this confession maybe before dying." He had made...
...State Department explained, "are seeking to reserve to themselves war booty which they had previously agreed to relinquish, as well as the greater share of Austria's oil-refining capacity and oil-exploration areas, of which they were to have received only some 60% under the treaty document." So far, Russia's only "concession" has been to drop its support of claims to Carinthia made by Tito's rebellious Yugoslavia...
...Worth ever passed around copies of a mysterious nine-page document, which summed up the rumor-ridden case against the B-36? Yes, Worth admitted frankly, he had "Where did you get this document from?" Vinson demanded. Replied Worth in a crisp, calm voice: "I wrote it." Three wire-service reporters dashed for the door...
...Deadest Dump." After nine days, the police let Lucky go. They were unable to pin anything on him, but last week they handed him a foglio di via obbligatorio-a document compelling him to report within four days to the police at Lercara Friddi, the humble Sicilian town where he began life, 52 years ago, as Salvatore Lucania, and which he once described as "the deadest dump in the world." The police hinted that Lucky might eventually be permitted on the mainland again, but that never again could he live in Rome...
...result (at a cost of under $500,000) is not only a first-class social document, but also a profoundly moving film. Dr. Carter (Mel Ferrer) and his wife (Beatrice Pearson) are forced into passing as whites so that he can practice his profession. But he keeps clandestine contact with his Negro colleagues, names his son (Richard Hylton) after a famous Negro doctor. Out of these contacts emerge some fresh insight into Negro viewpoints, and into the intricate network of etiquette and anguish separating those who can "pass" from those who cannot...