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...chaste affair. The eruption of unbridled cordiality occurred at a charity event in London given by Parker Bowles. Upon greeting, she and Charles fleetingly brushed both cheeks. No knees were weakened, no monarchy fell. Nevertheless, pictures landed on the front page of virtually every British newspaper. The prearranged public display of affection, which perhaps not so coincidentally happened days before Princess Diana would have turned 40, was seen as another step in a methodical plan for Charles and Camilla to win public acceptance as a couple. In some quarters, at least, it had the desired effect. The next...

Author: /time Magazine | Title: People: Jul. 9, 2001 | 7/9/2001 | See Source »

...seem so important. Yet the U.S. didn't even bother to erect a pavilion for the one last year in Hanover, Germany. And, really, why should it have? Who needs to stand in line outside a geodesic dome to find out what America produces? Who needs a product-display center to discover Lucinda Williams? Or a monorail to take you to Philip Roth or Tom Ford? Anywhere in the world you find a movie screen or a museum, a bookstore or a TV, a clothing outlet or a computer terminal, you're at the entrance to the American pavilion...

Author: /time Magazine | Title: America's Best | 7/9/2001 | See Source »

...music for Vertigo and Psycho fill the space, and the observers are cast in the role of detectives examining evidence from the crime. It doesn't seem to matter that Mrs. Bates' wax head with human teeth and hair, in the Psycho room, is the only original item on display...

Author: /time Magazine | Title: The Fine Art of Fear | 7/9/2001 | See Source »

...Everyday objects took their place with the fine arts in Hitchcock's films. Evidence for the influence of well-known paintings and sculptures - many of them on display here - is overwhelming. One look at Willy Schlobach's painting of La Morte, and it's clear Hitchcock directly recreated its image in Vertigo when Kim Novak throws herself into San Francisco Bay. Walking around Rodin's The Kiss gives the same effect as the camera turning around Jimmy Stewart's embrace of Novak later in the movie. The aerial shot of Cary Grant in the cornfield in North by Northwest - with...

Author: /time Magazine | Title: The Fine Art of Fear | 7/9/2001 | See Source »

...Hitchcock's fetishes - stare from a curtain recreated from the opening dream scene that stretches across the gallery. Object of Destruction, Man Ray's creation of a metro-nome with an eye pasted onto the pendulum, is copied four times in the dream scene; the original is on display here...

Author: /time Magazine | Title: The Fine Art of Fear | 7/9/2001 | See Source »

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