Search Details

Word: displayer (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...opinion that if you do not quit your infidelity display the good people will quit...

Author: /time Magazine | Title: Letters: Apr. 25, 1927 | 4/25/1927 | See Source »

...manuscripts of "Mischmasch" and "The Rectory Umbrella" were written while Lewis Carroll was a student at Eton and Oxford. These also are on display...

Author: NO WRITER ATTRIBUTED | Title: CARROLL MANUSCRIPTS AND FIRST EDITIONS IN WIDENER | 4/12/1927 | See Source »

...strike began is a Union fête day; in Pittsburgh, past smoke-stained buildings, union miners paraded to honor John Mitchell, champion of the eight-hour day. They timed their march to pass the shops of the Pittsburgh Coal Co. as the noon shift changed; they hoped by display of power to draw non-union men into the striking ranks. But non-union men, indifferent, raised no cheers. Only heart-breaking news came to the marchers; another company, the huge Pittsburgh Terminal Coal Corp. had decided to go nonunion. And then Sheriff Robert H. Braun of Allegheny County ordered...

Author: /time Magazine | Title: COAL: No Alarm | 4/11/1927 | See Source »

...Maire's Affairs. There are those who deplore burlesque in favor of more subtle satire like Americana. Others love display, like Lucky. Some would prefer Le Maire's Affairs, full of crudely ridiculous skits, awkward clowning (by Charlotte Greenwood), amazing absurdities (by Lester Allen), pretty chorus girls, striking ensembles. Two numbers, the cameo dance and the minstrel drill are as pleasing to the eye as anything in town. The skits are funny-at times, definitely embarrassing; Ted Lewis' band jazzes well toward the end. After a few more presentations, the show will probably be corrected for tempo...

Author: /time Magazine | Title: Theatre: New Plays: Apr. 11, 1927 | 4/11/1927 | See Source »

...need not be, however, over-concerned with the historical phase of the matter, with Cezanne's relation to the movement of Impressionism, nor with the more complicated experiments of his technique in the fundamentals of form and light. One can easily find in those works in display much that is Classical, much that shows the influence of Courbet, Tintoretto, Rubens, and Delacroix. But what is most important is the realization of the subjective character of the exhibition and the willingness to 'look again' in an endeavor to penetrate the wall of unphotographic reality which will probably, with the majority...

Author: NO WRITER ATTRIBUTED | Title: FOGG REPRODUCTIONS PRAISED BY REVIEWER | 4/9/1927 | See Source »

First | Previous | 2347 | 2348 | 2349 | 2350 | 2351 | 2352 | 2353 | 2354 | 2355 | 2356 | 2357 | 2358 | 2359 | 2360 | 2361 | 2362 | 2363 | 2364 | 2365 | 2366 | 2367 | Next | Last