Word: displayed
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Dates: during 1890-1899
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...train every day at noon, an hour which for many is free. While it is altogether probable that if the whole college congregated on Holmes Field at that hour, it would interfere with the work of the men, there is every reason to suppose that a lively display of interest would prove a great encouragement to the men who are working hard for Harvard's success...
Since Harvard is so nearly concerned in the success of the affair, it would be eminently fitting for the college to display a practical interest in the tournament by going to the matches today. The presence of Harvard men would at least show the preparatory school players that the college is doing all it can to develop the sport which they represent...
...most striking features of the preparation for the race between Oxford and Cambridge Saturday was the coaching of the Oxford crew by a Cambridge oarsman-Mr. Rudolph C. Lehmann. Nor is this the first time there has been such a display of good feeling between the two universities. As far back as 1852 T. S. Egan, a Cambridge coxswain, coached Oxford. In 1869 and 1870 George Morrison of Oxford coached Cambridge after Cambridge had met several successive defeats. Again in 1883, W. B. Woodgate, an Oxford oarsman and editor of Oars and Sculls, coached Cambridge...
...programme of the Symphony Concert last night in Sanders Theatre was heavier than most of those that have been heard in Cambridge this winter. The first piece was Cherubini's severe and tragical overture, Anacreon, which gave the stringed instruments a particularly good chance to display their purity of tone and their finished style of playing. Although Cherubini wrote this overture many years ago, he uses the trombones and other instruments in quite modern style, and introduces several grand climaxes. The second piece was a concerto for piano in C minor, by St. Saens. Mrs. Fannie Bloomfield Zeisler played...
...piano in A minor, played by Mr. Carl Faelton. This concerto, composed just fifty years ago, is incomparably finer than any concerto that has been composed since. It was last played in Cambridge in January, 1888, by Miss Aus der Ohe. It gave Mr. Faelton abundant opportunity to display his brilliant technical skill and poetic feeling...