Word: directors
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Apparently Shelton - and director F. Gary Gray (Friday, The Italian Job) - spent the last decade studying movies like Death Wish, the Saw series, The Brave One, Untraceable and other examples of revenge gorenography. The genre was launched with the 1962 Cape Fear (and its John D. MacDonald source novel), whose killer not only tracks down the lawyer who prosecuted him but terrorizes the man's wife and child. The movie's sobering climax - the lawyer refuses to kill the killer, because he will not be reduced, even in extremis, to his animal impulses - was rectified in the 1991 Martin Scorsese...
...Duane Zuckschwerdt, UAW Region 1C director and a member of the union's top executive board, readily acknowledges that Flint is often held up as a symbol of crippling labor-management strife, but he sees the Volt investment as a significant milestone for the city. "I know you go just 50 miles west of here and they think the town is dead," Zuckschwerdt says. "But it's not. GM knows they have a very talented workforce here," he says...
...We’re taking this play that I think is absolutely brilliant, but I’ve never actually seen performed, and trying to present it in a way that a young, modern-day audience is supposed to relate to and get excited about,” says director Geordie F. Broadwater ’04. In an effort to do this, Broadwater replaced temples and sandals with dive bars and spurs...
...Flies” is this year’s incarnation of the Harvard-Radcliffe Dramatic Club’s Visiting Director’s Project, which involves bringing a professional director to Cambridge to direct a production on the Loeb Mainstage. The resulting piece is usually considered HRDC’s main play of the season. Many members of the cast say that working with Broadwater has been a positive experience for them as actors. “When you’re working with peers [as directors],” says Carolyn W. Holding...
Besides the elaborate technical aspects of the production and the presence of a professional director, the subject matter of “The Flies” should appeal to a broad variety of students. “What’s really cool is that it can cross literary and genre boundaries,” says Muller. “It is first Greek myth, then Sartre, and then Geordie’s interpretation of Sartre. It offers something to many different people...