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...others involved. The Harvard-Radcliffe Dramatic Club’s “The Space Between” will use the space to produce an experimental play combining theatrics, dance, and, less likely, physics. Catherine “Calla” Videt ’09, playwright and director of the play, who could not be reached for comment, wrote the work as the second half of her thesis for her Special Concentration in Theatre and Physics. She started developing the project as a freshman, inspired by the beauty of physics. Videt, along with Ilinca Radulian...
...like Brian’s earnest attempts to adopt a Chinese baby despite his young bachelorhood, and Larry’s inexplicable penchant for mixing purple vodka with pure ethanol while on the job—give each character an idiosyncratic tint. The debut script from Adam Nagata and director Matt Aselton is fresh and quirky; the dialogue alone could drive the awkward humor of the piece even without the nuanced talent of Dano and Deschanel.Furthermore, the film manages to focus on these quirks without overdoing them as indie flicks often do. The silly surface of the film is upheld...
...audience manages to experience new perceptions of new physicalities.For one dancer in the ensemble, this change in perception is one of the most important elements of GIMP. Lawrence Carter-Long lives with cerebral palsy, a neuromuscular disorder that affects his control of his legs. He also works as the Director of Advocacy for the Disabilities Network of NYC.“Within the culture we’re in, specifically, disability is something to be cured; it’s something to be frightened of,” he says. Similarly, the disabled are relegated to a mental world...
...Between sets, Catherine P. Humphreville ’10, the rock director of Harvard’s WHRB, flitted from person to person, distributing flyers for the station’s Record Hospital Fest and urging each one to come to Harvard. It’s a trip that many of them have made before...
...group of DIY devotees. Largely based around punk and hardcore music, the intensive comp process involves weekly lectures about different genres as well as a weekly listening assignment of about 10 albums. “You learn about this from a very historical perspective,” former RH director Baris C. Ercal ’10 says. “It’s all contextualized. Everything is just put together in a way that’s very interesting, and I feel like, in particular, academically-oriented Harvard students would like that...