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...premiere took place in New York last September, and the next performances are scheduled for April in Washington and San Jose. The finale is to take place next year in Belgrade, capital of Yugoslavia and Serb cultural center. As Dimic explains, the idea is to see if “those who stayed in Serbia can recognize someone of their...

Author: By Ivana Tasic-nikolic, SPECIAL TO THE CRIMSON | Title: In the Spotlight: Cultural Events in the Theater | 4/6/2001 | See Source »

...idea of adapting a play by Slawomir Mrozek, a Polish émigré author, to the context of Yugoslavian integration today came from Jack Dimic, originally from Republika Srpska, now a student at the Lee Strasberg Institute for Theater and Film in New York. The project was realized with the assistance of Zarko Lausevic, a renowned Serbian stage and screen actor now in the United States. Emigrants themselves, Dimic and Lausevic partly depicted their own life stories—a political emigrant from Belgrade and an economic emigrant from Bosnia, an intellectual and a gastarbaiter—roommates...

Author: By Ivana Tasic-nikolic, SPECIAL TO THE CRIMSON | Title: In the Spotlight: Cultural Events in the Theater | 4/6/2001 | See Source »

...emigrant is “a kind which is disappearing,” the epitome of “a conscious self-sacrifice—he died in his homeland, but was never born elsewhere,” claims Lausevic. Similarly, Dimic envisions emigration as a “pathological state” of a person who does not belong anywhere. Individual personal émigré dilemmas intertwine in the play. “Speaking to Jack [in the gastarbaiter role], I was speaking to myself,” says Lausevic. Similarly, Lausevic warns us of the threat...

Author: By Ivana Tasic-nikolic, SPECIAL TO THE CRIMSON | Title: In the Spotlight: Cultural Events in the Theater | 4/6/2001 | See Source »

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