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Died. Alexander Archipenko, 76, Ukrainian-born sculptor who in 1909 shocked Paris by giving a third dimension to the cubism of Braque and Picasso, produced in the years that followed a 1,000-piece gallery of fluid and generally bulbous angularities (among the best-known: The Boxer and Gondolier), developing...

Author: /time Magazine | Title: Milestones: Mar. 6, 1964 | 3/6/1964 | See Source »

The dimension of this accomplishment is extraordinary because the French do not generally comprehend American musicals. The last one to open in translation there was Annie Get Your Gun (Annie du Far-Ouest) in 1950, and it flopped. Paris audiences expect the pressed sugars of operetta when they go to...

Author: /time Magazine | Title: Theater Abroad: How to Succeed in Paris | 2/28/1964 | See Source »

Look's stunt, the result of 13 years' research, constitutes the latest effort to translate the real world of three dimensions into the picture world of two. Artists have employed trompe I'oeil three-dimensional techniques for centuries. But true success for photographers awaited the invention of the stereopticon camera in the 19th century, which took two pictures of the same subject through lenses that were separated like a pair of human eyes. When the viewer saw each picture separately, through separate lenses, his brain automatically supplied the missing dimension of depth...

Author: /time Magazine | Title: Magazines: Look's Illusion | 2/21/1964 | See Source »

"It is possible to lose large areas of sensitivity in a seemingly sophisticated culture," Dean Miller said. "We must transcend the shrewdness of our present sophistication if we are to maintain the dimension of human reality."

Author: NO WRITER ATTRIBUTED | Title: Miller Cites Shrewd Sophistication As Liability of Modern Technocracy | 2/20/1964 | See Source »

In the Fourth Dimension. Swiss by birth, Kurt Seligmann grew up in Basel, studied art in Geneva, and in 1929 joined the Abstraction-Creation group in Paris. There he worked with Jean Arp in surrealist exploration of a limbo of landscape of imaginary objects utterly divorced from reality. Like Arp...

Author: /time Magazine | Title: Art: Dance Without the Dancer | 1/31/1964 | See Source »

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