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Dates: during 1990-1999
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...course, it is difficult to respond to such a question without understanding which issues exactly are "women's issues." Thankfully, a nice little trope was thrown about throughout the evening--apparently "sexism, sexual harassment and sexual assault" are women's issues. Additionally, one speaker indicated that she was concerned about the availability of "emotional support" for women on campus. And another complained that now that Radcliffe's facilities might no longer be accessible, women might have to worry that "people would barge into the JCR" during their meetings...

Author: By Noah Oppenheim, | Title: Considering 'Women's Issues' at Harvard | 12/17/1999 | See Source »

Right from the start, Glengarry presents some difficult challenges. Ruiz, known for his cleverly farcical, physical style of comedic direction in productions such as The Misanthrope and How the Other Half Loves, confronted and solved the problem of how to find subtler, darker and more naturalistic ways of presenting his characters. As Dave Moss, Christian Roulleau '01 is proof of Ruiz's success. He appears to have mastered the naturalistic intonations and body language called for by Glengarry. Although, at first glimpse, Roulleau's character seems to be in danger of becoming rehearsed, soon he expertly shapes and surfaces...

Author: By By JULIE L. rattey, CONTRIBUTING WRITER | Title: Glengarry: Not A World of Men--Ruiz assembles power cast in Kronauer space | 12/17/1999 | See Source »

Finally, Glengarry is a difficult piece to achieve because of its self-conscious themes. It is a play about taking control, about manipulation, about struggling to survive. Ruiz uses visual symbols and characterization to avoid a potential pitfall in this essential part of the production. The hunger for money and power is symbolized in Ruiz's constant emphasis on food throughout the production. It also indicates that no matter how different or superior they may profess to be, the characters all share the same drives, needs and desires. Number one sales agent Richard Roma (James Carmichael '00) has several...

Author: By By JULIE L. rattey, CONTRIBUTING WRITER | Title: Glengarry: Not A World of Men--Ruiz assembles power cast in Kronauer space | 12/17/1999 | See Source »

...Already being touted as an Oscar contender for Best Actor, it is not difficult to see why. Washington just radiates in this film. From being a cocky young fighter with a past, to an embittered prisoner, to a wise guru, there is no transformation that Washington cannot effect in this movie. He has the deepest subtleties of acting to break your heart--such as his expression that seems to encapsulate all the injustice in this world when it is announced in the courtroom that he has been sentenced to three consecutive life sentences. He explodes with the rawest of emotions...

Author: By Cheryl Chan, CONTRIBUTING WRITER | Title: Hurricane Bouts, Blows Hot Air | 12/17/1999 | See Source »

...Garnette Hall's work in varnished-over chocolate and cake gel on canvas was the most difficult to keep my hands off; the surface seems to be encrusted with half-molten gemstones. Similarly, Jessica Golbus '99 also starts with a canvas but then adds texture instead of paint, covering the surface with strips of screen, splintering boards and an old shirt...

Author: By Annie Bourneuf, CRIMSON STAFF WRITER | Title: "Salon" at the Adams House Art Space | 12/17/1999 | See Source »

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