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...international repertory were first revived here only a decade ago under the direction of Musicologist Raymond Leppard. Glyndebourne's current showpieces are the neglected conversational operas of Richard Strauss, Capriccio and Intermezzo. They were staged for the lustrous Swedish Soprano Elisabeth Soderstrom under Administrator Moran Caplat's dictum of "hiring people we know and exploiting them at what they want to do." To succeed retiring Musical Director John Pritchard, Glyndebourne is bringing in Conductor Bernard Haitink. His crisp baton imparts a discipline to this year's production of Pelleas et Melisande that discloses unexpected shadings in Debussy...

Author: /time Magazine | Title: Music: Opera in the Countryside | 6/28/1976 | See Source »

...marine that has already opened a new era of commercial competition on the high seas.* Soviet shippers are plying routes to every major port, from San Francisco to Dar es Salaam, Hamburg to Mombasa. It is almost as if the Russians were following the turn-of-the-century imperialist dictum: "Trade follows the flag...

Author: /time Magazine | Title: SHIPPING: Those Ruthless Russians | 5/3/1976 | See Source »

...progressive" wing of the party, as Udall now likes to call it, the old blues dictum applies: "You may get better but you'll never get well." With Bayh and Shriver all but out of the race, at seventh and sixth place finishes respectively, left field becomes mostly...

Author: By James I. Kaplan, | Title: Blame Massachusetts | 3/6/1976 | See Source »

Taking off from tunes by Jelly Roll Morton, "Eight Jelly Rolls" (1971) buries its structure and, true to Tharp's dictum, unearths random scatter. Six female dancers tease the music's rhythm, gliding over and diving under the beat, tearing through its even sounding. At first lost in inward spirals of movement, the six cohere as a group, parody a nightclub act and, later, back Tharp's solo disheveling. Shivers running down their spines, the dancers seem to shed a second skin, as if leaving shreds of themselves behind...

Author: By Susan A. Manning, | Title: Twyla Sparkles, Boston Ballet Fizzles | 2/10/1976 | See Source »

Sykes' book is an unusually stereoscopic one, scrupling not at all about boundaries between "biography" and "criticism." His book belongs to a genre which, he recognizes, is currently out of fashion--the critical biography. "A convention has grown up," he notes in the kind of obiter dictum that grows more frequent as the book progresses, "that biography and literary criticism are separate activities which must never be associated." The biography, certainly, is all there. But I, at least, would have liked even more lit crit than Sykes provides. There is precious little serious comment on Waugh, and when Sykes does...

Author: By Paul K. Rowe, | Title: Waugh is Hell | 2/4/1976 | See Source »

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