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...short "Seeds of Treason" is not a satisfactory history; it is rather brief for the prosecution. The authors, like many others, believe Hiss a villain, Chambers a saviour. Other reporters, other spectators believe Hiss is the hero and Chambers is the devil. It is highly unlikely that there is a member of either extremist faction emotionally suited to record the Hiss-Chambers mess in the cool, balanced way that history demands

Author: By John G. Simon, | Title: The 'True Story' of Hiss | 4/14/1950 | See Source »

...Three hundred years ago Dr. Velikovsky would have made a pretty effective set piece at some ecclesiastical auto-da-fé. Now, poor devil, he's going to be a popular success, just another of that long line of scientific bestsellers cashing in on the current obsession: Who am I? How did I get here? Whodunit? Where do we go from here...

Author: /time Magazine | Title: Letters, Apr. 3, 1950 | 4/3/1950 | See Source »

...Kamegulov's request [who he was and what he requested, the Soviet editors tantalizingly fail to explain] I cannot fulfill. No time! Besides, what the devil, what kind of critic would I be! That's all. I firmly shake your hand and wish you good health. Thanks for your greeting.-J. Stalin...

Author: /time Magazine | Title: COMMUNISTS: Stalin on Stalin | 4/3/1950 | See Source »

...authority, but he came to believe that only a Socialist government could destroy capitalism and pave the way for a genuine free society, which was just about where Karl Marx had stood. When his espousal of Socialism brought him the title of "the Red Professor," Laski retorted: "The devil [i.e., Laski] is not as red as he is painted. His evil-minded Socialism is nothing more than the logical development of Jeffersonian democracy in the 20th Century...

Author: /time Magazine | Title: GREAT BRITAIN: History's Revenge | 4/3/1950 | See Source »

...deathbed scene, a nurse gratuitously draws a window shade so that a shadow can fall over his face. Nor do the picture's hand-me-down roles make for good performances. France's Actress Prelle (formerly Presle), whose delicate playing was a major asset to Devil in the Flesh, has been transformed by more than a change of spelling. She is unimpressive in a role that makes her lift a wan voice in three interminable French songs. In a portrayal that is all mannerism and no meat, Actor Garfield summons up neither the appeal of a hero...

Author: /time Magazine | Title: Cinema: The New Pictures, Apr. 3, 1950 | 4/3/1950 | See Source »

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