Word: design
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...report on Apple's creative design process pleased the company's devotees, while our stories on new products and services prompted readers to wonder about the dangers and pleasures of the world ahead...
...Steve Jobs should be commended for Apple Computer's superior work environment [Nov. 14], which embraces collaboration and control. Employees in different departments team up in a "simultaneous and organic" process to create amazing, innovative products. Apple has gone above and beyond its competitors in classy, creative design. If more companies in today's technological industries worked harder to create a quality product for the consumer, success would be based not on profits alone but on the more important goal of user satisfaction. Rachel Somodi Kansas City, Missouri...
...Science While I applaud nobel-prizewinning physicist Eric Cornell's evenhanded call for moderation in the intelligent-design debate [Nov. 14], I long to see an article that examines the causality for the controversy and suggests how it might be resolved. Among my friends who are adherents of the doctrine of God-inspired intelligent design, the issue isn't one of competing or conflicting scientific theories but of a desire to make science work for them in the effort to live a purposeful and successful life. We need to focus on finding a solution rather than repeating the same arguments...
...Cornell says there should be no theology (or intelligent design) in science classes and no science in religion classes. Not many high schools, however, have religion classes. In my high school years, I remember struggling to reconcile religious teachings with the theory of evolution. I think religious students would be more comfortable if they were told that science looks at things differently than religion does, and that although they will learn about evolution in science class, it does not mean they must give up their religious faith. There are truths to be found in both. Susan Zimmer Bonita, California...
...Loeb Experimental Theatre space is well used, as the director stages different settings in different areas of the theater to avoid the time-consuming onstage set changes, for which the play is often criticized. Stark, clean lighting reemphasizes the harshness of the graphic all-white sets. The set design, also by Burkle, is so strikingly minimalist that the walls seem like blank canvases. In fact, when Berenger’s friend Jean (Michael B. Hoagland ’07) throws up during his sickness, the green vomit becomes art as it drips down the wall in abstract expressionistic splendor...