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...Dead Man," which is set "between 120 and 130 years ago," is the story of a meek accountant, William Blake (Johnny Depp), who leaves his fiancee and Cleveland for a job in the wild, wasted West. He finds the usual Western movie staples there, crossing the tyrannic mill owner (Robert Mitchum), sleeping with Thell (Mili Avital), the hooker with the heart of gold, and shooting her no-good lover Charlie(Gabriel Byrne) when guntoting Charlie finds the two of them in bed. From there, however, the Western idiom begins to unravel as our hero, with a bullet in his heart...

Author: NO WRITER ATTRIBUTED | Title: INTERVIEW WITH A DEAD MAN | 5/6/1996 | See Source »

...role in "Thelma & Louise" and who, since then, has been given virtually nothing to do in the way of performance. Finally, with "Seven," he dispels entirely the notion that he is simply a heartthrob with no acting ability. He has finally broken out of the quandry from which Johnny Depp and Keanu Reeves can never escape. He has proved himself to be an excellent actor...

Author: By Benjamin Cavell, | Title: Being Bad Was Never So Thrilling: Different Crimes | 9/21/1995 | See Source »

...other behemoth news, MARLON BRANDO has announced that he "is seriously contemplating Irish citizenship." The star, currently filming in a village in County Cork with Johnny Depp and Debra Winger, said he had "never felt as at home in a place as I do here." Although the O is at the wrong end of his name, Brando claims Irish blood via his grandmother...

Author: /time Magazine | Title: People, Jul. 31, 1995 | 7/31/1995 | See Source »

...early scene from his new movie, Don Juan DeMarco, Marlon Brando, playing a psychiatrist, talks the title character (Johnny Depp) out of committing suicide by pleading, "Why lose hope, along with life, along with everything else...

Author: /time Magazine | Title: LOST HOPE | 5/1/1995 | See Source »

...Depp chooses his words and poses carefully, but manages to be convincing only as a particularly promiscuous fantasy lover with all the depth of a glistening Harlequin-novel cover man. His star-power and glamour nearly vanquish his acting skills in a throwback to his "21 Jump Street" days as a brooding teen heartthrob. The camera, too, is seduced, almost comically drawn ever-closer to his face, even when he tries to hide in the depths of his knit brows during particularly emotional moments...

Author: By Marco M. Spino, | Title: Legendary Dons' Juan Is No Gift | 4/6/1995 | See Source »

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