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Word: depictions (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

...Paramount's version of Ernest Hemingway's Farewell to Arms is revamped to remove all reference to the disastrous Italian retreat from Caporetto during the War, all future Paramount films will be banned from Italy. Further, this may apply to all U. S. films if the present tendency to depict Italians as villains and naughty fellows is not corrected...

Author: /time Magazine | Title: ITALY: Retort | 8/29/1932 | See Source »

...Pilsudski in intent. Three years ago he moved to Paris to live. L'Illustration printed several of his Paris street scenes. British editors were entranced. He went to London to make a series of drawings for the Graphic. In January FORTUNE imported him to the U. S. to depict political and financial leaders. Artist Czermanski speaks no English, converses in firmly Slavic French. Even so he finds New Yorkers sympathetic, far easier to know than either Londoners or Parisians...

Author: /time Magazine | Title: Art: Caricaturist | 5/30/1932 | See Source »

Films used in Professor Dixon's course on Oceanica depict the intimate lives and habits of the Polynesians, Melanesians, and inhabitants of the East Indies. Tribal dances and customs such as fire walking in the Fiji Islands, and tatooing and tapa making in Samoa, are shown in detail...

Author: NO WRITER ATTRIBUTED | Title: Motion Pictures Used With Success In Illustrating Courses In Anthropology--Film Library To Be Set Up at Peabody | 5/18/1932 | See Source »

...address for the Paul Block Foundation of Journalism at Yale, Publisher McCormick pointed a finger at his audience and declared: ". . . . Your faces contain brown, yellow and pink; you wear green shirts, blue neckties . . . and yet so limited is the newspaper art that it is compelled to depict you in black and white." A moment later he added: ". . . The art of journalism is the adaptation of old methods to mass production...

Author: /time Magazine | Title: The Press: Daily Color | 5/16/1932 | See Source »

...Pennell which represent merely the image that reaches the human eye, the rich oils of Beneker convey all the realism of being, and all the strength and solidity of steel. Perhaps it is the medium in which the work is done that accounts for the difference; the paintings depict with more life-like fidelity and color the shapes of qualities of things, the stylus tends to tinge the reproduction with the impression that the mind receives, and the imagination which is evoked by the vision...

Author: NO WRITER ATTRIBUTED | Title: Collections and Critiques | 4/20/1932 | See Source »

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