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...crack at singing professionally on Italian opera stages. Last week five of the first batch of eight winners (four sopranos, one tenor, two baritones, one bass) had a chance to show off their talents in a student production of La Bohème in Florence's famed Teatro della Pergola...

Author: /time Magazine | Title: Music: Debut in Florence | 9/22/1958 | See Source »

...light, often over-brilliant, favors subjects admirably. A deep grey light of great clarity pronounced the rich earth colors of the Sassetta-like hills with their patterned bushes. The occasional pieces of white sculpture became phantasmal objects in their arbors of thick foliage. The tall veridian poplars of Piero della Francesa made familiar shapes against the clear...

Author: NO WRITER ATTRIBUTED | Title: Harvard's Outpost in Settignano | 9/18/1958 | See Source »

...Milan, where the show attracted 5,000 during the summer art season doldrums, the recognized critics took quite a different view. Wrote Carriere della Sera's Leonardo Borgese: "It is not new. It is not painting. It is not America . . . Droppings of paint, sprayings, burstings, lumps, squirts, whirls, rubs and marks, erasures, scrawls, doodles and kaleidoscope backgrounds. When will they send us a real American show?" The owner of one of Milan's art galleries took one look, snorted, "Droolings!" and departed...

Author: /time Magazine | Title: Art: American Abstraction Abroad | 8/4/1958 | See Source »

...Milan has two pillars," runs a respectful Italian adage. "One is La Scala. The other is Carriere della Sera" By catering as faithfully as its operatic opposite number to middleclass, culture-conscious Milanese, Corriere has long reigned as Italy's biggest daily (circ. 505,000) and one of the most enterprising newspapers published anywhere. Known in Milan simply as The Newspaper, staid Corriere della Sera got its start and its name as an evening paper, now comes out in two editions every morning. It runs no comic strips, gossip columns or guessing games, clings solidly to the aim outlined...

Author: /time Magazine | Title: The Press: Mirror in Milan | 3/24/1958 | See Source »

...starts when a couple of aging land sharks move into the well-known European water hole and try to put the bite on each other. He (Vittorio De Sica) is a rentless wreck of an Italian nobleman named Conte Dino della Fiaba (Count Fib). She (Marlene Dietrich) is an enchantress who has come full Circe and now finds herself with nothing to her name but a title, Marquise Maria de Crevecoeur (Lady Heartbreak). She thinks he's rich, he thinks she's rich, and it all makes a pleasant little comedy of errors until suddenly the script makes...

Author: /time Magazine | Title: Cinema: The New Pictures, Mar. 17, 1958 | 3/17/1958 | See Source »

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