Search Details

Word: dehn (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

Ever since the age of 14, when he discovered black drawing ink in the artist's materials section of a Sears, Roebuck catalogue, stocky, Minnesota-born Adolf Dehn has drawn, etched and lithographed in black. A specialist in bulging bankers and pneumatic nuns, Dehn went to Manhattan in 1916, got odd jobs drawing for the old Liberator, drifted off to Europe for a spell, soon made himself a reputation as one of the ablest and most individual black-&-white men in the U. S. Half straight, half comic, Dehn's squirming, salty lithographs were prized by art connoisseurs...

Author: /time Magazine | Title: Art: Lithographer into Water-Colorist | 5/13/1940 | See Source »

Lithographer Dehn had always nursed a yen to work in color. But he was afraid of leaving the role of bang-up black-&-white man for that of mediocre painter. Four years ago, at the age of 41, white-haired, young-looking Adolf Dehn decided to take the plunge. Teutonically systematic, he began turning out one water color a day. His first tries were not too good; later he tore up two or three hundred of them. But he kept on, upped his output to two and even three a day, gave up lithographs altogether. Last year, on a Guggenheim...

Author: /time Magazine | Title: Art: Lithographer into Water-Colorist | 5/13/1940 | See Source »

Last week the judges announced the winners: a squirming pen-and-ink satire on Picassomania, by Adolf Dehn; a crowd of bereaved workers' wives, by Georges Schreiber; a suicide, by Anton Refregier; a murder, by Fred Ellis; a death in the Dustbowl, by Bernard Steffen. Popular choice: a train wreck by Lionel S. Reiss...

Author: /time Magazine | Title: Art: Artists as Reporters | 5/6/1940 | See Source »

Several landscapes by Adolf Dehn lend a placid note to an otherwise fantastic exhibit. With paintings by Grosz, Braque, Archipenko, and Gleizes decorating the walls, it might be assumed that the conservative Dehn watercolors would be reduced to insignificance. But Dehn does more than hold his own. His clear, wind-washed landscapes are executed in a manner similar to that of Edward Hopper. The colors are neutralized but are far from dirty; Dehn's whole technique is that of a careful, better-than-average artist...

Author: By Jack Wilner, | Title: Collections & Critiques | 2/26/1940 | See Source »

...Adolf Dehn's lyrical Lake in the Mountains, Lucile Blanch's Mine in Clinch Mountains served as brave antidotes...

Author: /time Magazine | Title: Art: Open Season | 9/25/1939 | See Source »

First | Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | Next | Last