Word: deer
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Physical and emotional pain became Kahlo's principal subject. She painted herself skewered, split, trussed and as a deer bristling with arrows. She was no sentimentalist. In 1938 Clare Boothe Luce, then managing editor of Vanity Fair, asked Kahlo to paint a memorial portrait of a friend who had jumped from a New York hotel window. The artist complied with a depiction of the woman simultaneously leaping, falling and finally lying dead on the pavement...
...boatman's clothes, but as a naked Indian hiding in the pawpaw tunnels. "The writing is lyrical but is always darkened by tragedy and disappointment. At the end of the story, Reva meditates by the lock house in which she and Clinton made love: "Upstream, a deer's hoof sucked in the soft mud, but Reva kept watching the swimming moon-the same moon she knew Clinton watched with his cincinnate whore. "She realizes the hopelessness of her desires, and sets fire to the lockhouse in an act of despair and rejection...
...hunters' magazine to give the deer's side of the story. Don't look for lectures on chastity in Cosmopolitan or Penthouse. Don't expect defenses of Interior Secretary James Watt in an environmental journal. The unstated premise of all specialized magazines is: Get your balance elsewhere; we're writing for like-minded people...
...shores have surfaced. The lake itself has receded, from a depth of 17 ft. in the 1960s to 9 ft. last year. Alligators have lost most of their eggs to artificial flooding in three of the past five years. Flooding also led to the deaths of 5,000 deer last year. The region's spectacular wading birds, many of them rarities, are equally threatened. Wood storks, for example, have successfully nested in only three of the past 18 years. "The wetlands are sending up enough smoke signals to set off anyone's alarm system," warns Research Biologist Bill...
...cynic might posit that this early film by now-recognizable stars might be a safe box-office bet. Although the movie reveals the then-burgeoning talents of co-director DePalma (Carrie, Dressed to Kill, Blow Out), actress Jill Clayburgh (An Unmarried Woman), and Robert DeNiro (The Godfather, The Deer Hunter, Raging Bull), the film doesn't warrant renewed interest as if it were a resurrected unified piece of art. The public forgot it easily enough in 1969, and--not so strangely--it's as unremarkable...