Word: deer
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Some years back, Robert Scott, of the nonprofit Institute of the Rockies in Missoula, proposed the Big Open, a 15,000-sq.-mi. chunk of struggling central Montana that would be linked cooperatively by public and private owners into a wildlife range for 300,000 buffalo, deer, antelope and elk. His figures suggested that on the average, the 3,000 people living there would make more tending to tourists and hunters than from ranching and farming. Writer Douglas Coffman, who helped Scott, saw even more: a chance to recapture a bit of the original American heart, something brave and wild...
...followed herds of triceratops, scavenging carcasses and occasionally preying on weak individuals, much as hyenas follow wildebeests in Africa. Artists' renderings of pitched battles in which a triceratops tries to gore a tyrannosaurus in the belly are misleading. Triceratops was more likely to use its horns as a modern deer uses its antlers, not mainly for battle but to establish dominance in the herd and attract a mate...
...down the great firs may not see the forest that way, but many have no less reverence for it. The lumberjacks of Douglas County are not boisterous back-slapping rubes but pensive men who feel as much a part of this rugged landscape as the black-tailed deer and elk that retreat from the sound of their saws. A popular bumper sticker here declares, FOR A FORESTER, EVERY DAY IS EARTH DAY. Rather than surrender the name "environmentalist" to their foes, they have labeled the opposition "preservationists." Many loggers never finished high school but followed their fathers and grandfathers into...
...wall. The streets are empty save for two Protestant boys, Robert, 13, and Frankie, 15, sitting on a stoop, doing nothing. Neither one has ever gone within 10 yds. of the wall. Even at 20 yds., the slightest sound from the other side prompts them to run like startled deer...
...twelve windows represented in "Masterworks" pulse with a colorist's verve and ingenuity. Here are familiar nouveau nature themes: profusions of rowdy blooms and bursting vines, roe deer and sailboats bobbing on azure seas. In the 9-ft.-tall Cockatoo and Parakeet, a bird with opalescent feathers pecks at vibrant cherries. In the magnificent Landscape Triptych, Tiffany played with shade and light in a glade to produce landscape poetry worthy of the Hudson River school of painting. Vase of Red Peonies, dominated by a glorious clot of blossoms, prefigures abstraction...