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...this any way to run a TV series? Maybe not, but since its debut two years ago, Moonlighting has moved up steadily in the ratings to its current No. 9 spot. The show's success is Executive Producer Glenn Gordon Caron's best response to charges that his work habits are undisciplined. "It sounds pompous," says Caron, "but maybe it's irresponsible to bring a television show in on time and on budget every week and have it be about nothing...

Author: /time Magazine | Title: Video: Moonlighting on The Edge | 3/30/1987 | See Source »

...really provides the bang for the buck. Zeffirelli and Costume Designer Dada Saligeri offer a regal gold and mother-of-pearl panoply: high atop a throne in the far reaches of the cavernous stage perches the black-clad, thousand-year-old Emperor (Swiss Tenor Hugues Cuenod, making his company debut at 84). For the first time the Met stage, which has swallowed whole such formidable productions as Nathaniel Merrill's 1966 Die Frau ohne Schatten, looks cramped. As is its custom, the Met declines to reveal the spectacle's cost, but best guesses run to about $1.5 million...

Author: /time Magazine | Title: Franco Zeffirelli in Chinatown and a new Turandot at the Met | 3/23/1987 | See Source »

...pull off a kidnaping, then work like thumb-tied demons to return the booty. But even the surface of a Coen brothers picture looks unlike any other. These two young guys from Minneapolis -- Joel, 32, who directs and writes, and Ethan, 29, who writes and produces -- proved with their debut film, the gory melodrama Blood Simple, that they are shrewd filmmakers who can give a skewed spin to a hoary genre. Compared with their new effort, though, Blood Simple was just a five-finger exercise with a knife spiked through the hand. To their old fascination with Sunbelt pathology...

Author: /time Magazine | Title: Cinema: Rootless People RAISING ARIZONA | 3/23/1987 | See Source »

...efforts, Lewis Nkosi has triumphed in his literary debut. The picture he paints of South African society is bleak and powerful and, in the end, convincing. The frustration and psychological suffering that apartheid imposes on all elements of life are made crushingly vivid, and the emotional impact of the unrestrained, passionate voice is compelling. Through this nightmare there remains a glimmer of hope in the freedom songs of the political prisoners, "a single powerful sound rolling and thundering, shaking the very foundations of the prison walls." It is not a practical agenda but only a vision of a possible future...

Author: NO WRITER ATTRIBUTED | Title: ON BOOKS: | 3/13/1987 | See Source »

While Big Dipper could be a lot tighter--the rhythm section nearly falls apart during "San Quentin"--Boo-Boo is a worthwhile debut. Nothing on this disk is as immediately startling as Volcano Suns' "White Elephant," but then again this EP is a lot easier to listen to than the Suns' All Night Lotus Party. For those who like musical roots mixed in with sonic radicalism, Boo-Boo by Big Dipper is Boston's next big thing...

Author: By Jeff Chase, | Title: Nessie, I Love You | 3/12/1987 | See Source »

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