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...University polo team will make its debut in the Boston Indoor Polo League tonight at 8 o'clock when it meets the One-hundred Tenth Cavalry team at the Commonwealth Armory. The game will be followed by another league tilt between the Essex and Norfolk teams...

Author: NO WRITER ATTRIBUTED | Title: UNIVERSITY RIDERS MAKE LEAGUE DEBUT | 1/10/1925 | See Source »

...fiftieth annual edition of the University Register made its debut yesterday. The volume was edited this year by R. R. Wiener '20, who under took its publication when the student editors resigned a year...

Author: NO WRITER ATTRIBUTED | Title: Register Now Out | 12/19/1924 | See Source »

...University basketball quintet will make its unofficial debut at 8 o'clock tonight, when five former Harvard stars invade Hemenway Gymnasium to play their first public game against Harvard. The game is not on the regular schedule, but Coach Wachter will send his first-string team on the floor and the game will be played with an official referee and all the appearances of an opening game. It will be open to the public free of charge...

Author: NO WRITER ATTRIBUTED | Title: BASKETMEN TO MEET GRADUATE QUINTET | 12/17/1924 | See Source »

...Jenufa is "undoubtedly one of her finest accomplishments." Janacek, the composer, and Jeritza are compatriots. Jeritza was born and brought up in Brünn, the little town in Czecho-Slovakia where Janáćek has spent the greater part of his life. She made her operatic debut in Olmütz, from there she went to the Vienna Volksopcr (People's Opera) and thence to the Hofoper (Imperial Court Opera). She would have come to the U. S. in 1914, but the War intervened and her Metropolitan début was postponed...

Author: /time Magazine | Title: Music: Jenufa | 12/15/1924 | See Source »

Last week, at the Metropolitan Opera House, Manhattan, Mme. Toti dal Monte, Venetian soprano, made her debut. Because of the liberal praise accorded her when, with the Chicago Opera Company, she made her first U. S. appearance a month ago, critics regarded her interestedly. As Lucia di Lammermoor, ever-distressed lady who goes mad in her attempt to sound like a flute, Mme. Dal Monte cadenzaed, bravuraed, languished, trilled, palpitated. Her hands were expressive, her figure squat, her voice limpid. Loud, long was the applause. "Cordial," the critics termed it, reserving their other adjective, "unprecedented," for dead debuts, for debuts...

Author: /time Magazine | Title: Music: Toti Dal Monte | 12/15/1924 | See Source »

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