Word: dawn
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...fascinating exercise was called Red Dawn. In the guise of a sort of right-wing adolescent version of For Whom the Bell Tolls, it is an allegory designed subtly to reverse the moral onus of the Viet Nam War. The U.S. is invaded by Communist forces (Cubans and Nicaraguans in the service of the Soviets), and the teen-age American heroes and heroines take to the Colorado hills to form a guerrilla band. The Americans become the Viet Cong, the little guys, the underdogs fighting for their own land. The Soviets become the oppressive great power (the Americans in Viet...
Early on Christmas morning, just before the faintest glimmerings of dawn over the Pacific, a group of scientists from the U.S., West Germany and Britain will begin their holiday celebrations by monitoring a unique experiment: the creation of the first man-made comet. A satellite orbiting some 70,000 miles above earth will release four canisters containing about 90 lbs. of barium and copper powder, worth $240,000. The powder will swell into a gaseous cloud 100 miles across that will glow pale yellow-green and then a dusky purple; as it expands, the cloud will grow a comet...
Mexico City, Nov. 19,1984. Shortly before dawn, liquefied-gas tanks exploded at the San Juan Ixhuatepec storage facility operated by state-owned Petroleos Mexicanos. The resulting fire took 452 lives and injured 4,248 in Mexico's largest industrial disaster; 1,000 people are still missing...
...Souther: Home by Dawn (Warner Bros.). Smooth ballads and caustic rockers about misfired romance and misguided adventure by one of the most adept exponents of what has come to be known, somewhat derisively, as "the L.A. sound." Back in the mid-'70s, Los Angeles was the capital of cool, and Souther and the Eagles were the cornerstones of close harmony and acrid social observation. Punk and new wave blew this kind of music out of the water, or at least seemed to. But the substance of new wave could not always keep pace with the style, which...
...helicopter he is in as the Grand Canyon below. He gives a slightly mordant dimension to the panorama of St. Louis and its Gateway Arch by shooting from East St. Louis with the littered river shore in the foreground. Throughout, Ruetz exploits the interplay of light and landscape at dawn and sunset: in a pair of striking pictures of Monument Valley, for example, and in a dramatic gatefold of Bryce Canyon, where the sunrise just burnishes the tops of the canyon's pinnacles. Dark skies and heavy clouds brood over the land in many of his photos; one, looking...