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Lucienne Boyer would be rich from her phonograph records alone. In France hers outsell all others. "Parlez-moi d'Amour" topped 350,000. Other big sellers have been "Si Petite," "Attends," "Sans Toi," "J'ai laissé mon coeur," "Désir," "Garde moi dans tes bras," "Parle...

Author: /time Magazine | Title: Music: Parisienne | 10/8/1934 | See Source »

The following article was written especially for the Crimson by Dans B. Durand, instructor and tutor in History and Literature.

Author: NO WRITER ATTRIBUTED | Title: DURAND REVIEWS NEW NUMBER OF ADVOCATE | 5/1/1934 | See Source »

Your [March 19] story of M. Chiappe's garbled telephone conversation and the à la rue-dans la rue misunderstanding, which resulted in French troops opening fire upon Paris civilians, brings to my mind a curiously parallel story which was widely circulated after the coup d'état...

Author: /time Magazine | Title: Letters, Apr. 9, 1934 | 4/9/1934 | See Source »

In Paris Lucienne Boyer has had several new songs to keep her night club customers buying champagne far into the morning. The best ones are "Ne dis pas toujours," "Quand tu seras dans mes bras" and "Ballade" which Yvette Guilbert could have sung with no more finesse.

Author: /time Magazine | Title: Music: Tourists | 3/20/1933 | See Source »

The story is concerned with the old struggle between a woman and the sea for the possession of a man's heart. The man, Marius, is troubled by the added complication of having the blustering proprietor of a cafe for a father. The picture will be easily intelligible to those...

Author: NO WRITER ATTRIBUTED | Title: FRENCH FILM "MARIUS" SHOWN BY FOUNDATION | 2/24/1932 | See Source »

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