Word: dancer
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Married. Mary Hay, nimble dancer, recently divorced wife of Cinemactor Richard Barthelmess; to one Vivian Bath, British rubber man; at Greenwich, Conn., secretly. They will live in Singapore...
Interpretive dancing, requires vigorous training while the dancer is a child between the ages of five and 15, and latter constant work in between performances. This necesity for training dancers while they are young raises a great many complications, for a child's parents are unwilling to allow it to go without an education. In order to avoid this trouble we hope to start a school at which regular school work can be combined with training in dancing...
...beat high in 1919 when she, a musical comedy girl, met a tall, blonde gentleman by the name of Robert Peel-the great-grandson of the great Sir Robert. In 1920 she married him, became mistress of haloed Drayton Hall. Her fame spread through two continents as the frolicsome dancer of Chariot's Revue. But her husband, neither statesman nor footlight celebrity remained one of those Englishmen with 10,000 acres and nothing particular to do. A Peel must do something, so last week young Sir Robert announced the opening of a dance hall (roadhouse) near Drayton Manor, which...
...pitch of acceleration. The result is houses that crash and rock. Mr. Lloyd remains original, rapid, hysterogenic. This time he is Harold Hickory, rabbitty member of a bearish backwoods sheriff's family. He outwits his lumbering brothers and a traveling band of medicine fakers; outflirts the faker's delicious dancer (Jobyna Ralston). Latest Lloyd laughables: a "grinning" stork; laundry on a kite string; amorous tree-climbing; a monkey in a man's shoes; synthetic dishwashing; ringtoss with life-preservers to capture the villain, upend him, paddle him ashore with a broom...
...Barker was written by Kenyon Nicholson, young Columbia University professor of dramatic art. Paradoxically, it falls short of technical efficiency the while it achieves a glorious fullness of unacademic atmosphere, characterization and emotional conflict. In the play, all the tent-show folk-hula dancer, snake-charmer, clown, odd-job men - accept with varying humors their haphazard, futile nom-adism-all except the barker, "Nifty" Miller, soul and essence of the entire raucous flimflam. He, chained like the others to the aimless tent life, holds fast to the idea that his only son will one day be a wealthy, respectable lawyer...