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Word: dallapiccola (lookup in dictionary) (lookup stats)
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...Dallapiccola: Tartiniana (Ruth Posselt, violin; Columbia Symphony conducted by Leonard Bernstein; Columbia). Italy's most famed modernist in a mellow mood. Two of the four movements start with themes by 18th century Violinist-Composer Tartini, then gradually, smoothly warm up to entrancing modernity. All of the movements seem to weave Tartini's melodies serenely for a while, then get involved in the implications of their own patterns; at other times the old tunes appear in a kind of bas-relief against a background of alien dissonance. A fascinating composition...

Author: /time Magazine | Title: Music: New Records, Jul. 11, 1955 | 7/11/1955 | See Source »

...Louisville plan is financially in the red, it is musically well in the black. Forty-six new works have been introduced and several have already been performed elsewhere. A few were standouts, e.g., Luigi Dallapiccola's haunting, emotional Variations for Orchestra, Henry Cowell's gentle Symphony No. 11, Carlos Surinach's vivid Sinfonietta Flamenca. The overall quality was higher than critics dared hope...

Author: /time Magazine | Title: Music: The New Patronage | 1/24/1955 | See Source »

...school blew in on the same wind that unroofed the old Habsburg Empire: Kafka grew up in Habsburg Prague; Alban Berg, who wrote the gloomy Wozzeck, was a Viennese; Bela Bartok, whose Bluebeard's Castle almost makes a sympathetic character out of Bluebeard, was a Hungarian; even Luigi Dallapiccola, whose opera, The Prisoner (TIME, May 29, 1950), gives him front rank in the new school, grew up in Austrian Istria...

Author: /time Magazine | Title: Music: Nightmare at the Opera | 11/2/1953 | See Source »

...Summer Symphony (Sat. 6:30 p.m., NBC). The first U.S. performance of Luigi Dallapiccola's Concerto for Piano and Chamber Orchestra...

Author: /time Magazine | Title: RADIO: Program Preview, Aug. 18, 1952 | 8/18/1952 | See Source »

Before the week was out, 4OO-odd young musicians of the Berkshire Music Center, which shares the well-clipped lawns of Tanglewood with the festival, had also wound up their six-week summer session -studying composition (with Aaron Copland, Luigi Dallapiccola), conducting (with Bernstein), and performance (with members of the orchestra). Their big show: Mozart's opera, La Clemenza di Tito, resurrected, rendered into English (and renamed Titus), produced and conducted by the New England Opera Company's Director Boris Goldovsky...

Author: /time Magazine | Title: Music: Tanglewood & Other Woods | 8/18/1952 | See Source »

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