Word: daileys
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Among the passengers: a salesman (Dan Dailey) with a novelty line, who tries it out on a blonde across the aisle (Jayne Mansfield); a couple of harried marrieds who give their boy-crazy daughter (Dolores Michaels) no peace. As the trip starts, the daughter makes a pass at the driver of the bus (Rick Jason), who has just left his wife (Joan Collins) because she drinks too much and smooches too little. Meanwhile, the salesman is pitching for the blonde: "I have depths, honest. I think I have." And back at the depot the highway patrol drops...
...general company (Dan Dailey, Ginger Rogers, Barbara Rush) is quite pleasant, and Tony Randall in his best scene provides a hilarious footnote to an era in which the lounge lizard has been replaced by the couch cowboy...
...discovers that his own fiancee has had a very interesting past. Barbara Rush plays his slightly tarnished True Love with typical feminine capriciousness. Ginger Rogers is very funny indeed as the wife who regularly pours out her troubles to her psychoanalyst, and she is more than matched by Dan Dailey's portrayal of her actor-husband. Tony Randall clowns through the film with just the right amount of buffoonery as a slightly screwy patient whom the doctor discovers has had an affair with his fiancee. Mr. Randall has a wonderful sense of comic gesture and expression...
According to the film, De Sylva, Brown and Henderson (Gordon MacRae, Ernest Borgnine and Dan Dailey) were Broadway characters as salty as the waiters in Lindy's, and for most of the distance they give the customer a pretty fair run for his money. MacRae lays his wad on fast women, Borgnine on slow horses, and Dailey gives his paycheck to the ever-loving wife. But they all get together to write pretty little ditties (Sonny Boy, Black Bottom, Button Up Your Overcoat, Birth of the Blues), and Sheree North is usually around to sing them. The show glides...
...made up mostly of gamblers, who are so busy losing money that they have no time to make girls. "There's no one," she sputters indignantly, "to be aloof from." That, as every moviegoer will recognize, is the cue for girl to meet boy. And the minute Dan Dailey comes scuffing onscreen with an I'11-always-be-a-boy-at-heart sort of grin that richly expresses the sham in the shamrock, Actress Charisse has plenty to be aloof from. He grabs her hand in a casino, holds it for good luck -and wins three times...