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...accounts of the incident spread across Brazil, a chorus of protest arose. Editorialized Rio's Correio da Manhâ: "The way Jânío Quadros received, or rather dismissed, President Kennedy's special envoy deserves sharp criticism from all Brazilians." The criticism spread to include the whole subject of Quadros' headlong rush to "neutralism" during his six weeks in office. Wrote the influential Jornal do Brasil, heretofore one of Quadros' staunchest supporters: "Quadros, who in his campaign stressed the impossibility of ignoring the importance and existence of Red China, now appears to ignore...

Author: /time Magazine | Title: Brazil: Insult to Injury | 3/17/1961 | See Source »

...over the artist's shoulder while his hand and mind work at top speed. Last week Manhattan got a chance to study the techniques of the masters courtesy of the Italian government, which, to celebrate its centennial of unification, is sponsoring a collection of 154 master drawings by Da Vinci, Raphael, Michelangelo and 82 other Italians. The drawings have already attracted throngs in Washington, Boston and Chicago, and are on final display in the Metropolitan Museum of Art before returning to Italy...

Author: /time Magazine | Title: Art: Masterful Drawings | 3/17/1961 | See Source »

...Florence. Titian is represented by a study of legs done in thick black chalk a decade before the resulting painting, Martyrdom of St. Lorenzo, was hung in the church of the Jesuits in Venice. On a sheet of paper measuring 5¼ in. by 5¾ in., Leonardo da Vinci crammed almost two dozen men and half a dozen horses in two detailed, swirling battle scenes. And in a drawing measuring 11 in. by 16 in., Pontormo roughly sketched a single man on horseback that, though deliberately unfinished, bulges with expressive power. Tiepolo's luminous imagination shines in chiaroscuro...

Author: /time Magazine | Title: Art: Masterful Drawings | 3/17/1961 | See Source »

...Honegger of the evening is a late and little-known Concerto da Camera for flute, English horn and strings. Unlike the tense and rigid bombast of his earlier works (notably the symphonies and the oratorios), the concerto is a relaxed, graceful, spacious and thoroughly un-neurotic work. The mood is pastoral but placid--suggesting, in Dr. Johnson's phrase, not an unkempt meadow but a well-rolled English lawn...

Author: By Anthony Hiss, | Title: Harvard-Radcliffe Orchestra | 3/11/1961 | See Source »

...Methodist ministers). She talks about "the Omnipotent" as naturally as if he were her neighbor. "I never go onstage," says Leontyne, "without saying a prayer-sometimes an extra prayer before arias like D'amor sull'ali rosee in Trovatore or O patria mia in Aïda." And the debut? "I just stood there in the wings and thought: 'Dear Jesus, you got me into this...

Author: /time Magazine | Title: Music: A Voice Like a Banner Flying: Leontyne Price | 3/10/1961 | See Source »

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