Word: czechoslovakian
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Carrot Friends. The other case involved a different kind of mike. In 1961, Frank John Mrkva, State Department visa courier and the son of Czechoslovakian-born parents, met Zdenek Pisk, then a third secretary at the Czech embassy in Washington. Aft er a number of casual conversations with Mrkva (whose surname means "Carrot"), Pisk became confident that Carrot was ready for uprooting. Pisk arranged a private dinner, suggested that Mrkva, now 38, might want to help the Czech Communist cause by doing a little spying. "Knock off the patriotism business," snapped Mrkva. "I'm interested in money." Pisk offered...
...SHOP ON MAIN STREET. Cast by the Nazis as persecutor of a helpless old Jewish shopkeeper (Ida Kaminska), a seriocomic Aryan nonentity (Josef Kroner) struggles against moral bankruptcy in a fine Czechoslovakian drama that reduces the march of history to events on a pathetically human scale...
...infer that Bata is a Communist operation headquartered in Czechoslovakia. But for more than 25 years there have been no contacts between Bata Ltd. and the Communists in any country; no members of our organization went to the Prague exhibition. Probably those technicians who appeared came from the nationalized Czechoslovakian footwear industry, which in the main comprises the factories belonging to the Bata organization that were expropriated some 20 years...
...plot concerns a poor Czechoslovakian farmer named Tono Britko who becomes the "Arvan manager" of a button shop owned by Mrs. Lautmann, an aging Jewess. The other Jews in the village pay Britko to protect the old woman until deportation orders bring an end to the arrangement. Britko must then decide whether he will hide Mrs. Lautmann from the Nazis or protect himself by sending her away...
Kleist likes the "cool simplicity" and "clean typography" of Scandinavian jackets. Praising East European designs for their "unpretentious charm," he points to the "subtle and original" calligraphy of Czechoslovakian and Hungarian jackets. Poland has no competing publishing firms to vie for public favor with attractive jackets, but the State publishing monopoly nevertheless employs outstanding artists who have made Poland a leader in jacket design. Russian jackets, on the other hand, tend to be "stodgy and conventional." Kleist says that the lack of jackets on Chinese books is probably due to China's paper shortage...