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Word: cues (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
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Most people know that for truly great pizza you should head for Naples - or Chicago. But Baghdad? Yes, you can occasionally escape the chaos and carnage of the Iraqi capital in one of its unexpectedly good pizza restaurants. Taking our cue from the mangled English slogan of one such joint - "The secret is in the test" - our team of six American soldiers and three Iraqi civil servants set out to find Baghdad's best pie. First stop: Al-Sa'ah, the famous eatery in the Mansour district, next to the house U.S. forces bombed back in April in the belief...

Author: /time Magazine | Title: "Your Mouth Lights Up" | 11/23/2003 | See Source »

What is to be done? Aaron J. Greenspan ’05, creator of CriticalMass, an online alternative to the CUE guide that effectively channelled student discontent about a professor to the administration, suggests that specific student concerns will never be as effective as group concerns. “Because Harvard is a corporation,” he says in an e-mail, “it has access to lawyers, accountants, and risk minimization officers. If a cursory cost-benefit analysis yields the result that it will be worth the University’s effort to respond...

Author: By William L. Adams, Brian Feinstein, Adam P. Schneider, A. HAVEN Thompson, and Scoop A. Wasserstein, CRIMSON STAFF WRITERS | Title: The Cult of Yale | 11/20/2003 | See Source »

...were infectious. David L. Kowarsky ’05, as Audrey’s dentist boyfriend Orin, was entertainingly sadistic, although he might have benefited from a bit of voice amplification. Lucas J. Mix, as a customer and in a variety of other roles, appeared to take a cue from David Gest and ran with it superbly: his deadpan weirdness verged on hilariousness. On the production side of things, the set by Jeffrey C. Winer ’03 and the costumes by Patricia Gnazzo Pepper were charming...

Author: By Patrick D. Blanchfield, CRIMSON STAFF WRITER | Title: Review: 'Little Shop' Blooms In Currier House | 11/17/2003 | See Source »

Opening night had a few kinks, with a missed sound cue or two and actors in painful heels stumbling over the cruelly uneven and cramped stage. But overall, the production went smoothly. The soundtrack, which highlighted themes of love and questionable taste, was a well-chosen selection of ’60s bubblegum pop. The play’s setting was changed from London to America, and although the alterations were transparent—cricket was turned into baseball, and so on—the changes spared us from having to hear the bevy of uneven and indistinguishable English accents...

Author: By Alexandra D. Hoffer, CRIMSON STAFF WRITER | Title: Review: 'Real Thing' Smiles on Winthrop | 11/17/2003 | See Source »

...let’s agree to take a cue from the divine Lauryn Hill, who reminisces fondly about the awkwardness of childhood in “Every Ghetto, Every City” and concludes, “You know it’s hot / don’t forget what you’ve got / looking back.” The next time some of your friends bring up that home video where your shorts are pulled up to your chest (thanks, Mom!), you can tell them, “Screw you! …I mean, yeah, that...

Author: By Dan Gilmore, CRIMSON STAFF WRITER | Title: View from the Pop | 11/7/2003 | See Source »

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