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Word: cubists (lookup in dictionary) (lookup stats)
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...into his career. Given that both artists specialized in distorted images, anthropomorphic monsters and screaming faces, the Rosenberg drawings are surprisingly mild. In fact, they are lyrical studies for Picasso's neoclassical works that were criticized at the time as a betrayal of the revolutionary spirit behind his Cubist masterpiece Les Demoiselles d'Avignon 20 years before...

Author: /time Magazine | Title: Gods and Monsters | 3/20/2005 | See Source »

...just about everything else in his cluttered studio, from newspaper clippings to garbage-can lids, as starting points for his creative energies. Still, the results can be startlingly similar, as you can see in the entire room of heads painted by both artists. Bacon's 1971 Selfportrait shares some Cubist influences with Picasso's 1909 Head of a Man. But in almost every case Bacon's portraits reflect more motion, energy and distortion - and deliver a fiercer punch to the nervous system...

Author: /time Magazine | Title: Gods and Monsters | 3/20/2005 | See Source »

...Depression, to emulate his friend Arshile Gorky and devote himself full time to painting, a choice that guaranteed him a hand-to-mouth existence. Fame arrived around 1950, the year he painted his magnificent, pulsing abstraction Excavation, a field of elbowing contours and a bravura rethinking of Cubist space...

Author: /time Magazine | Title: Books: The Gorgeous Wreck | 11/22/2004 | See Source »

...spite of its bleak story, "The Jungle" is gorgeous to look at. Printed in full, rich color, Kuper's technique allows blending and shading in ways matched only by computers. The piece de resistance appears in the form a two-page spread of a labor strike. Kuper creates a cubist swirl of cattle, men, billy clubs, gears and skulls into a giant, violent abstraction...

Author: /time Magazine | Title: Conscience Comix | 10/14/2004 | See Source »

...drop in at London's Royal Academy of Arts, which is showing more than 50 of her paintings in the first major exhibition of her work in Britain. De Lempicka and her husband fled to Paris to escape the Russian Revolution of 1917. She studied painting under the Cubist André Lhote and hoped to earn a living from her work, but she did more than merely get by. Her career took off as she managed to secure celeb sitters; her own beauty and dress sense helped her gain entry into the best circles, but she also worked long hours...

Author: /time Magazine | Title: Steely Pretty Things | 7/21/2004 | See Source »

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