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...Cubism was an invention of the same mind nind that put roller skates on the Máagan tortoise. In 1909, in the village of Horta, near Saragossa, in Aragon, Spain, Picasso painted a series of pictures of jumbled roofs and houses which suggested to him a whole new method. Liking nothing so Puch as new methods, on his return to Paris he went to work on it. Cezanne had patiently toiled for years to realize on canvas the solidity of air and landscape by means of delicately placed little patches and planes of color. Cubism put roller skates...

Author: /time Magazine | Title: Art: Art's Acrobat | 2/13/1939 | See Source »

Shown for the first time in London was the only known portrait of Picasso, painted at the height of the Cubist movement by one of Cubism's great saints and Picasso's great friend, the late José Gonzales or "Juan Gris" (John Grey). This ex-engineering student said, "The only possible pictorial technique is a sort of flat-colored architecture," used few brilliant colors, painted his Hommage à Picasso in green, brown and grey...

Author: /time Magazine | Title: Art: London Greys | 11/14/1938 | See Source »

...most interesting of all the drawings is "The Bathers" by Picasso. Whenever Picasso's name is mentioned it is immediately associated with Cubism, and the common notion about Cubists is that they work in their peculiar manner because they are unable to do otherwise. In this drawing, however, there is not a trace of Cubism. Quite to the contrary, it shows a draftsman who, in technical skill, is almost equal to the great artists of the Italian Renaissance. Picasso's use of line has form and solidarity which can hardly be excelled, and his handling of many different bodily positions...

Author: NO WRITER ATTRIBUTED | Title: Collections & Critiques | 10/22/1938 | See Source »

Sheeler, born in 1883, was in his late 20s when the bravura of Sargent and Chase was superseded by two major influences: 1) realism from New Yorkers Sloan, Bellows and Luks, 2) Cubism from Parisians Braque, Picasso, Duchamp. It is Biographer Rourke's thesis that Charles Sheeler, by conspicuously keeping his head through a wild & woolly period, "submerged" the French abstract influence in native U. S. forms just as "real" as the street scenes of the Realists and more significant. These forms Sheeler found first in the old farmhouses, barns and functional handicraft of Bucks County, Pa., where...

Author: /time Magazine | Title: Art: U.S. Classicist | 8/15/1938 | See Source »

Familiar with such devices of abstraction from reality as rapid changes of time, place and angle in the cinema, plain citizens are still unreconciled with corresponding devices in painting like Cubism, which Braque above all living painters most clearly represents. The purpose of The Yellow Cloth is simply to show different, fresher and more beautiful appearances than an ordinary collection of objects on a table would possess. Braque's table is not necessarily out of perspective, since it would be possible to construct a table which would have exactly the same form. In a dining room such a table...

Author: /time Magazine | Title: Art: Carnegie Show | 10/25/1937 | See Source »

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